The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 54
... syllables of the first two words are long and take time to speak , whereas the syllables in the second half of the line are short , and this alters the weight of stress you can put on them . Nor would you give full stress to the final ...
... syllables of the first two words are long and take time to speak , whereas the syllables in the second half of the line are short , and this alters the weight of stress you can put on them . Nor would you give full stress to the final ...
Стр. 65
... syllables , yet you would not give those words that stress indeed it would be absurd to stress the final syllable on ... syllables here carry more weight , and in any case the names would be cared for . There is also the sound pun on ...
... syllables , yet you would not give those words that stress indeed it would be absurd to stress the final syllable on ... syllables here carry more weight , and in any case the names would be cared for . There is also the sound pun on ...
Стр. 99
Cicely Berry. Number of syllables . The number of syllables in a word also affects the time we take . Lines which have two- and three - syllable words have a totally different feel : the syllables tend to be less full and we speak them ...
Cicely Berry. Number of syllables . The number of syllables in a word also affects the time we take . Lines which have two- and three - syllable words have a totally different feel : the syllables tend to be less full and we speak them ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing