The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 20
... talking about rhetorical resonances which are rhythmic and of a different and more public kind ; I am talking about the physical response which we have to words which touch our inner thoughts and feelings , where the association of the ...
... talking about rhetorical resonances which are rhythmic and of a different and more public kind ; I am talking about the physical response which we have to words which touch our inner thoughts and feelings , where the association of the ...
Стр. 117
... talked about this in terms of how the actor uses it and its possibilities . However to the Elizabethans it was a habit of thought , a way in which they could perceive themselves in relation to the universe and the great chain of being ...
... talked about this in terms of how the actor uses it and its possibilities . However to the Elizabethans it was a habit of thought , a way in which they could perceive themselves in relation to the universe and the great chain of being ...
Стр. 213
... talking about the moments in a play when the whole timbre changes for a moment , and we are put in touch with a different sound . They are moments which occur in just about every play ; they sometimes come from the least poetic ...
... talking about the moments in a play when the whole timbre changes for a moment , and we are put in touch with a different sound . They are moments which occur in just about every play ; they sometimes come from the least poetic ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing