The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 117
... things such as stones : You blocks , you stones , you worse than senseless things ! The further away from divine perfection , the more inferior in the scale of order . But because man had both soul and body , he was in a unique position ...
... things such as stones : You blocks , you stones , you worse than senseless things ! The further away from divine perfection , the more inferior in the scale of order . But because man had both soul and body , he was in a unique position ...
Стр. 118
... things , the better we will know how to act — it would firm up our purpose . And the marvellous thing about this is that it helps us to find the structure of a speech , how the great speeches work things right from the beginning , and ...
... things , the better we will know how to act — it would firm up our purpose . And the marvellous thing about this is that it helps us to find the structure of a speech , how the great speeches work things right from the beginning , and ...
Стр. 245
... things . It is important to be open to this ambiguity , and to resist what seems to me to be a prevailing attitude — that one line has to mean one thing . When we work on these sonnets we realize how much the meaning can shift as we put ...
... things . It is important to be open to this ambiguity , and to resist what seems to me to be a prevailing attitude — that one line has to mean one thing . When we work on these sonnets we realize how much the meaning can shift as we put ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing