The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 128
... thoughts put us in touch with the life - force of the character , even when the purposes are dark . While we are speaking we are still asserting . 8 STRUCTURE OF SPEECHES What I want to look at now is the structure of speeches . As ...
... thoughts put us in touch with the life - force of the character , even when the purposes are dark . While we are speaking we are still asserting . 8 STRUCTURE OF SPEECHES What I want to look at now is the structure of speeches . As ...
Стр. 179
... thought is cut up . You will probably feel quite giddy at the end , which is ... thoughts . ( ii ) Speak the sonnet through again as a group . - This time put ... structure of the plays : the final words in a line so often lead the story ...
... thought is cut up . You will probably feel quite giddy at the end , which is ... thoughts . ( ii ) Speak the sonnet through again as a group . - This time put ... structure of the plays : the final words in a line so often lead the story ...
Стр. 180
... thought structure and the second group speaking the next thought structure , and so on . This furthers the idea of a debate going on within the sonnet . Notice that within the larger thought structure there are still the different ...
... thought structure and the second group speaking the next thought structure , and so on . This furthers the idea of a debate going on within the sonnet . Notice that within the larger thought structure there are still the different ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing