The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 77
... touch with a tender kiss . Good pilgrim , you do wrong your hand too much , Which mannerly devotion shows in this . For saints have hands that pilgrims ' hands do touch , And palm to palm is holy palmers ' kiss . Have not saints lips ...
... touch with a tender kiss . Good pilgrim , you do wrong your hand too much , Which mannerly devotion shows in this . For saints have hands that pilgrims ' hands do touch , And palm to palm is holy palmers ' kiss . Have not saints lips ...
Стр. 202
... touch . The rest keep them apart , not by touching them physically , simply by continual movement between them . Again you will get a sense of the need to communicate more than just words , but a deep sense of longing . - I am thinking ...
... touch . The rest keep them apart , not by touching them physically , simply by continual movement between them . Again you will get a sense of the need to communicate more than just words , but a deep sense of longing . - I am thinking ...
Стр. 280
... touch with our deepest feelings . You have exercised the ribs , so do not worry about them they will remain flexible . Put one hand on your stomach below the waist . Fill down ... and let the breath out through V. Feel the vibration on ...
... touch with our deepest feelings . You have exercised the ribs , so do not worry about them they will remain flexible . Put one hand on your stomach below the waist . Fill down ... and let the breath out through V. Feel the vibration on ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing