The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 77
... turn to despair . Saints do not move , though grant for prayers ' sake . Then move not while my prayer's effect I ... turning of a word , as in children's rhymes , music - hall songs , etc. ( One remembers the delight one had as a child ...
... turn to despair . Saints do not move , though grant for prayers ' sake . Then move not while my prayer's effect I ... turning of a word , as in children's rhymes , music - hall songs , etc. ( One remembers the delight one had as a child ...
Стр. 236
... turn thy edged sword another way , Strike those that hurt , and hurt not those that help : One drop of blood drawn ... turn and turn again . Henry VI Part One , III.3 . All through these early Histories , the Henry VIs , Richard III ...
... turn thy edged sword another way , Strike those that hurt , and hurt not those that help : One drop of blood drawn ... turn and turn again . Henry VI Part One , III.3 . All through these early Histories , the Henry VIs , Richard III ...
Стр. 282
... turn it , as this will not stretch the muscles ) . Roll it round the other way letting it drop right forward , and then pulling up slowly with the muscles in the back of the head . Nod it gently still feeling the muscles in the back of ...
... turn it , as this will not stretch the muscles ) . Roll it round the other way letting it drop right forward , and then pulling up slowly with the muscles in the back of the head . Nod it gently still feeling the muscles in the back of ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing