The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 11
... voice , for it helps us to work through the limitations we make for ourselves . - In Voice and the Actor I have covered the general aspects of voice production . However I will be adding to the exercises given there , for since writing ...
... voice , for it helps us to work through the limitations we make for ourselves . - In Voice and the Actor I have covered the general aspects of voice production . However I will be adding to the exercises given there , for since writing ...
Стр. 16
... voice in a quite palpable way , and I think it quite unconsciously forms the way we think about language and use it . - It is curiously difficult to work on our own voice both boldly and creatively , because it means we have to let go ...
... voice in a quite palpable way , and I think it quite unconsciously forms the way we think about language and use it . - It is curiously difficult to work on our own voice both boldly and creatively , because it means we have to let go ...
Стр. 17
... voice is having . He needs to know his voice both subjectively and objectively at the same time : he needs that third eye , or perhaps ear . Now when we make adjustments to how we speak , the difference we hear inside our heads is often ...
... voice is having . He needs to know his voice both subjectively and objectively at the same time : he needs that third eye , or perhaps ear . Now when we make adjustments to how we speak , the difference we hear inside our heads is often ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing