The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 29
... weight , yet it has but one drive , one motive , one action . Now this weight and substance comes precisely from the different lengths of the vowels , and sometimes their movement ; and also from the variable times the consonants need ...
... weight , yet it has but one drive , one motive , one action . Now this weight and substance comes precisely from the different lengths of the vowels , and sometimes their movement ; and also from the variable times the consonants need ...
Стр. 55
... weight as the information is important . The vowel is open - ended without a final consonant so it is more variable . The second syllable of ' households ' is unstressed but holds weight because of the length of the vowel and the ...
... weight as the information is important . The vowel is open - ended without a final consonant so it is more variable . The second syllable of ' households ' is unstressed but holds weight because of the length of the vowel and the ...
Стр. 56
... weight , as it is taking us on to a new stage of the story . Again regular , the stress coinciding with the sense and long , open vowels . However , there is a certain weight on the unstressed ' crossed ' which qualifies the meaning of ...
... weight , as it is taking us on to a new stage of the story . Again regular , the stress coinciding with the sense and long , open vowels . However , there is a certain weight on the unstressed ' crossed ' which qualifies the meaning of ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing