The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
Результаты поиска по книге
Результаты 1 – 3 из 83
Стр. 20
... words which touch our inner thoughts and feelings , where the association of the word itself can evoke a response ... words finding the words associated with the feeling and being precise about it - can in itself be upsetting , and we ...
... words which touch our inner thoughts and feelings , where the association of the word itself can evoke a response ... words finding the words associated with the feeling and being precise about it - can in itself be upsetting , and we ...
Стр. 158
... words are not in any sense isolated or staccato . But really feel the energy and texture of each word complete and ... words and not mentally jumping to the next before each is completed , and gently questioning the words which are not ...
... words are not in any sense isolated or staccato . But really feel the energy and texture of each word complete and ... words and not mentally jumping to the next before each is completed , and gently questioning the words which are not ...
Стр. 173
... words . ' barren ' breaks the metre as the stress must be on the first syllable . This makes the word rough . Very regular , except that you would not use the full two stresses on ' canopy ' , and this gives a different movement at the ...
... words . ' barren ' breaks the metre as the stress must be on the first syllable . This makes the word rough . Very regular , except that you would not use the full two stresses on ' canopy ' , and this gives a different movement at the ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
Не показаны другие разделы: 8
Другие издания - Просмотреть все
Часто встречающиеся слова и выражения
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing