The Actor and His TextHarrap, 1987 - Всего страниц: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Стр. 10
... writing , for this always feeds our response to Shakespeare , and vice versa . We are always lucky when we have an opportunity to work on both , for it is the interchange between modern and classical writing that enriches both and makes ...
... writing , for this always feeds our response to Shakespeare , and vice versa . We are always lucky when we have an opportunity to work on both , for it is the interchange between modern and classical writing that enriches both and makes ...
Стр. 34
... writing which is built on a rhythmic structure , where there is compression of imagery , and where we understand as much through the logic of the imagery as through the factual reasoning . And I am taking naturalistic writing to be ...
... writing which is built on a rhythmic structure , where there is compression of imagery , and where we understand as much through the logic of the imagery as through the factual reasoning . And I am taking naturalistic writing to be ...
Стр. 255
... writing . 4 MODERN TEXT This of course would make material for a whole book on its own , there is so much variety of approach that could be used . The point I would make clearly is that however naturalistic the dialogue , it still is ...
... writing . 4 MODERN TEXT This of course would make material for a whole book on its own , there is so much variety of approach that could be used . The point I would make clearly is that however naturalistic the dialogue , it still is ...
Содержание
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Авторские права | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing