Dem. And so comes Pyramus. Lys. And then the moon vanishes. Enter PYRAMUS, r. Pyr. 'Sweet moon, I thank thee for thy sunny beams; What dreadful dole is here? Oh, dainty duck! Oh, dear! What, stain'd with blood? Oh, fates! come, come, Cut thread and thrum; Quail, crush, conclude, and quell!' The. This passion, and the death of a dear friend, would go near to make a man look sad. Hip. Beshrew my heart, but I pity the man. Pyr. Oh, wherefore, nature, didst thou lions frame? Since lion, vile, hath here deflour'd my dear; Which is no, no-which was the fairest dame, That liv'd, that lov'd, that lik'd, that look'd with cheer. Come, tears, confound; Out sword, and wound The pap of Pyramus: Where heart doth hop.- Now am I dead, Now am I fled, My soul is in the sky. Tongue, lose thy light! Moon, take thy flight! Now, die, die, die, die, die! [Dies.-Exit Moonshine, L. Dem. No die, but an ace, for him; for he is but one. Lys. Less than an ace, man; for he is dead; he is nothing. The. With the help of a surgeon, he might yet recover, and prove an ass. Hip. How chance moonshine is gone, before Thisbe comes back and finds her lover? The. She will find him by starlight. Here she comes: and her passion ends the play. Enter THISBe, l. Hip. Methinks, she should not use a long one, for such a Pyramus. I hope she will be brief. Dem. A mote will turn the balance, which Pyramus, which Thisbe, is the better. Lys. She hath spied him already with those sweet eyes. Dem. And thus she moans, videlicet Thi. 6 Asleep, my love? What, dead, my dove? Speak, speak! Quite dumb? Dead, dead? A tomb Must cover thy sweet eyes. These lily brows, This cherry nose, These yellow cowslip cheeks, Are gone, are gone! His eyes were green as leeks. Come, come to me, With hands as pale as milk; Lay them in gore, Since you have shore With shears his thread of silk. Tongue, not a word Come, trusty sword, Come, blade, my breast imorue; And farewell, friends, Thus Thisby ends: Adieu, adieu, adieu. [Dies. The. Moonshine and lion are left to bury the dead. Dem. Ay, and wall, too. Bot. No, I assure you; the wall is down that parted their fathers. Will it please you to see the epilogue or to hear a Burgomask dance between two of our company. The. No epilogue, I pray you; for your play needs no excuse. Never excuse; for, when the players are all dead, there need none to be blamed. Marry, if he that writ it had played Pyramus, and hanged himself in Thisbe's garter, it would have been a fine tragedy : and so it is, truly, and very notably discharged. But, come, your Burgomask: let your epilogue alone. [A dance of Clowns. The iron tongue of midnight hath told twelve: I fear we shall outsleep the coming morn, SCENE II.-A Wood. Enter PUCK, L. Puck. (c.) Now the hungry lion roars, Now the wasted brands do glow, [Exeunt, R. Whilst the scritch-owl, scritching loud, In remembrance of a shroud. Now it is the time of night, That the graves, all gaping wide, In the church-way paths to glide: And we fairies that do run By the triple Hecat's team Now are frolic; not a mouse Enter OBERON ana TITANIA, with their Train, R. Obe. Through this house give glimmering light, Hop as light as bird from brier'; Sing, and dance it trippingly. Obe. Puck, Song and Dance. Now, until the break of day, And the blots of nature's hand Shall upon their children be. With this field-dew consecrate, Fvery fairy take his gait; And each several chamber bless, Through this palace, with sweet peace: E'er shall it in safety rest, And the owner of it bless'd. Meet me all by break of day. Gentles, do not reprehend; Now to 'scape the serpent's tongue, So, good night unto you all. Give me your hands if we be friends, [Curtain falls. DISPOSITION OF THE CHARACTERS AT THE FALL OF THE CURTAIN. |