LXVII.

And on thy happy shore a Temple1 still,
Of small and delicate proportion, keeps,
Upon a mild declivity of hill,

Its memory of thee; beneath it sweeps
Thy current's calmness; oft from out it leaps
The finny darter with the glittering scales,
Who dwells and revels in thy glassy deeps;
While, chance, some scatter'd water-lily sails
Down where the shallower wave still tells its bubbling
tales.

LXVIII.

Pass not unblest the Genius of the place!
If through the air a zephyr more serene
Win to the brow, 't is his; and if ye trace
Along his margin a more eloquent green,
If on the heart the freshness of the scene
Sprinkle its coolness, and from the dry dust.
Of weary life a moment lave it clean

With Nature's baptism,-'tis to him ye must
Pay orisons for this suspension of disgust. 2

1["This pretty little gem stands on the acclivity of a bank overlooking its crystal waters, which have their source at the distance of some hundred yards towards Spoleto. The temple, fronting the river, is of an oblong form, in the Corinthian order. Four columns support the pediment, the shafts of which are covered in spiral lines, and in forms to represent the scales of fishes the bases, too, are richly sculptured. Within the building is a chapel, the walls of which are covered with many hundred names; but we saw none which we could recognise as British. Can it be that this classical temple is seldom visited by our countrymen, though celebrated by Dryden and Addison? To future travellers from Britain it will surely be rendered interesting by the beautiful lines of Lord Byron, flowing as sweetly as the lovely stream which they describe." H. W. WILLIAMS.]

2 [Perhaps there are no verses in our language of happier descriptive power than the two stanzas which characterise the

LXIX.

The roar of waters! - from the headlong height
Velino cleaves the wave-worn precipice;
The fall of waters! rapid as the light

The flashing mass foams shaking the abyss;
The hell of waters! where they howl and hiss,
And boil in endless torture; while the sweat
Of their great agony, wrung out from this
Their Phlegethon, curls round the rocks of jet
That gird the gulf around, in pitiless horror set,

LXX.

And mounts in spray the skies, and thence again
Returns in an unceasing shower, which round,
With its unemptied cloud of gentle rain,

Is an eternal April to the ground,

Making it all one emerald:-how profound
The gulf! and how the giant element

From rock to rock leaps with delirious bound,

Crushing the cliffs, which, downward worn and rent With his fierce footsteps, yield in chasms a fearful vent

Clitumnus. In general poets find it so difficult to leave an interesting subject, that they injure the distinctness of the description by loading it so as to embarrass, rather than excite, the fancy of the reader; or else, to avoid that fault, they confine themselves to cold and abstract generalities. Byron has, in these stanzas, admirably steered his course betwixt these extremes: while they present the outlines of a picture as pure and as brilliant as those of Claude Lorraine, the task of filling up the more minute particulars is judiciously left to the imagination of the reader; and it must be dull indeed if it does not supply what the poet has left unsaid, or but generally and briefly intimated. While the eye glances over the lines, we seem to feel the refreshing coolness of the scene we hear the bubbling tale of the more rapid streams, and see the slender proportions of the rural temple reflected in the crystal depth of the calm pool. — SIR WALTER SCOTT.]

LXXI.

To the broad column which rolls on, and shows
More like the fountain of an infant sea

Torn from the womb of mountains by the throes
Of a new world, than only thus to be
Parent of rivers, which flow gushingly,

With many windings, through the vale :-Look back!
Lo! where it comes like an eternity,

As if to sweep down all things in its track, Charming the eye with dread,—a matchless cataract,1

LXXII.

Horribly beautiful! but on the verge,
From side to side, beneath the glittering morn,
An Iris sits, amidst the infernal surge, 2
Like Hope upon a death-bed, and, unworn
Its steady dyes, while all around is torn
By the distracted waters, bears serene

Its brilliant hues with all their beams unshorn:
Resembling, 'mid the torture of the scene,
Love watching Madness with unalterable mien.

I saw the Cascata del Marmore of Terni twice, at different periods; once from the summit of the precipice, and again from the valley below. The lower view is far to be preferred, if the traveller has time for one only; but in any point of view, either from above or below, it is worth all the cascades and torrents of Switzerland put together: the Staubach, Reichenbach, Pisse Vache, fall of Arpenaz, &c. are rills in comparative appearance. Of the fall of Schaffhausen I cannot speak, not yet having seen it. ["The stunning sound, the mist, uncertainty, and tremendous depth, bewildered the senses for a time, and the eye had little rest from the impetuous and hurrying waters, to search into the mys terious and whitened gulf, which presented, through a cloud of spray, the apparitions, as it were, of rocks and overhanging wood. The wind, however, would sometimes remove for an instant this misty veil, and display such a scene of havoc as appalled the soul." -H. W. WILLIAMS.J

2 Of the time, place, and qualities of this kind of iris, the reader will see a short account, in a note to Manfred. The fall looks so

LXXIII.

Once more upon the woody Apennine,

The infant Alps, which — had I not before

Gazed on their mightier parents, where the pine Sits on more shaggy summits, and where roar 1 The thundering lauwine-might be worshipp'd more; But I have seen the soaring Jungfrau rear Her never-trodden snow, and seen the hoar Glaciers of bleak Mont Blanc both far and near, And in Chimari heard the thunder-hills of fear,

LXXIV.

Th' Acroceraunian mountains of old name;
And on Parnassus seen the eagles fly
Like spirits of the spot, as 't were for fame,
For still they soar'd unutterably high:
I've look'd on Ida with a Trojan's eye;
Athos, Olympus, Etna, Atlas, made
These hills seem things of lesser dignity,
All, save the lone Soracte's height, display'd
Not now in snow, which asks the lyric Roman's aid

much like "the hell of waters," that Addison thought the descent alluded to by the gulf in which Alecto plunged into the infernal regions. It is singular enough, that two of the finest cascades in Europe should be artificial-this of the Velino, and the one at Tivoli. The traveller is strongly recommended to trace the Velino, at least as high as the little lake, called Pie' di Lup. The Reatine territory was the Italian Tempe (Cicer. Epist. ad Attic, xv. lib. iv.), and the ancient naturalists (Plin. Hist. Nat. lib. ii. cap. lxii.), amongst other beautiful varieties, remarked the daily rainbows of the lake Velinus. A scholar of great name has devoted a treatise to this district alone. See Ald. Manut. de Reatina Urbe Agroque, ap. Sallengre, Thesaur. tom. i. p. 773.

1 In the greater part of Switzerland, the avalanches are known by the name of lauwine.

LXXV.

For our remembrance, and from out the plain
Heaves like a long-swept wave about to break,
And on the curl hangs pausing: not in vain
May he, who will, his recollections rake,
And quote in classic raptures, and awake
The hills with Latian echoes; I abhorr'd
Too much, to conquer for the poet's sake,

TOTI

A.

The drill'd dull lesson, forced down word by word1 In my repugnant youth, with pleasure to record

These stanzas may probably remind the reader of Ensign Northerton's remarks, "D-n Homo," &c. ; but the reasons for our dislike are not exactly the same. I wish to express, that we become tired of the task before we can comprehend the beauty; that we learn by rote before we can get by heart; that the freshness is worn away, and the future pleasure and advantage deadened and destroyed, by the didactic anticipation, at an age when we can neither feel nor understand the power of compositions which it requires an acquaintance with life, as well as Latin and Greek, to relish, or to reason upon. For the same reason, we never can be aware of the fulness of some of the finest passages of Shakspeare ("To be, or not to be," for instance), from the habit of having them hammered into us at eight years old, as an exercise, not of mind, but of memory: so that when we are old enough to enjoy them, the taste is gone, and the appetite palled. In some parts of the continent, young persons are taught from more common authors, and do not read the best classics till their maturity. I certainly do not speak on this point from any pique or aversion towards the place of my education. I was not a slow, though an idle boy; and I believe no one could, or can be, more attached to Harrow than I have always been, and with reason;-a part of the time passed there was the happiest of my life; and my preceptor, the Rev. Dr. Joseph Drury, was the best and worthiest friend I ever possessed, whose warnings I have remembered but too well, though too late when I have erred, — and whose counsels I have but followed when I have done well or wisely. If ever this imperfect record of my feelings towards him should reach his eyes, let it remind him of one who never thinks of him but with gratitude and veneration of one who would more gladly boast of having been his pupil, if, by more closely following his injunc tions, he could reflect any honour upon his instructor.