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A SUMMER SABBATH WALK.

Delightful is this loneliness; it calms
My heart: pleasant the cool beneath these
elms,

Buoyant he flutters but a little while,
Mistakes th' inverted image of the sky
For heaven itself, and, sinking, meets his
fate.

Now let me trace the stream up to its

source

Among the hills; its runnel by degrees

That throw across the stream a moveless shade. Here nature in her midnoon whisper Diminishing, the murmur turns a tinkle. speaks: Closer and closer still the banks approach, How peaceful every sound!—the ring- Tangled so thick with pleaching bramble dove's plaint, shoots, Moan'd from the twilight centre of the❘ With brier, and hazel branch, and haw

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Watches his time to spring; or, from Among the fields and meadows, to enjoy

above,

Some feather'd dam, purveying 'midst the

boughs,

The coolness of the day's decline; to see His children sport around, and simply pull

Darts from her perch, and to her plume- The flower and weed promiscuous, as a less brood

boon,

fix.

Bears off the prize :-sad emblem of Which proudly in his breast they smiling

man's lot!

He, giddy insect, from his native leaf,
(Where safe and happily he might have

lurk'd),

Elate upon ambition's gaudy wings,
Forgetful of his origin, and, worse,
Unthinking of his end, flies to the stream;
And if from hostile vigilance he 'scape,

Again I turn me to the hill, and trace The wizard stream, now scarce to be discern'd;

Woodless its banks, but green with ferny

leaves,

And thinly strew'd with heath-bells up and down.

Now, when the downward sun has left the glens,

Each mountain's rugged lineaments are

traced

Upon the adverse slope, where stalks gigantic

The shepherd's shadow thrown athwart the chasm,

As on the topmost ridge he homeward hies.

How deep the hush! the torrent's channel, dry,

Presents a stony steep, the echo's haunt. But, hark, a plaintive sound floating along!

'Tis from yon heath-roof'd shielin'; now it dies

Away, now rises full; it is the song Which He,-who listens to the halleluiahs

THE WILD DUCK AND HER BROOD.

How calm that little lake! no breath of wind

Sighs through the reeds; a clear abyss it

seems,

Held in the concave of the inverted sky,— In which is seen the rook's dull flagging wing

Move o'er the silvery clouds. How peaceful sails

Yon little fleet, the wild duck and her brood!

Fearless of harm, they row their easy way; The water-lily, 'neath the plumy prows, Dips, re-appearing in their dimpled track. Yet, even amid that scene of peace, the noise

Of war, unequal, dastard war, intrudes. Of choiring Seraphim,- delights to Yon revel rout of men, and boys, and

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ALEXANDER WILSON.

1766-1813.

WILSON, the American ornithologist, | appropriate, as he termed it, for "a and the author of "Watty and Meg," even to those who know that they are one and the same person, represents two different and somewhat uncongenial characters. We are so unaccustomed to regard the votary of the Muses equally devoted to a quest that requires the exercise of daring adventure, perseverance, and physical endurance, that, when it does occur, the idea of separate individuality is constantly suggested to us.

Alexander Wilson, who thus impresses us, was born in Paisley, July 6th, 1766, in which birthplace of many poets his father was a weaver, and, it is also suspected, a distiller in a small, and not to be too minutely inquired into way. His mother, whose maiden name was Mary M'Nab, died when he was but ten years old; but his father, who, notwithstanding his reputed participation in contraband, appears to have been a man of a superior order, early imbued his mind with a love of nature and of books, intending to educate him for the Church. What prevented this purpose from being carried out we are not informed; for, after attending the Paisley grammar-school for some time, young Wilson, at the age of thirteen, was sent to learn the staple trade of his native place-that of weaving.

This he abandoned for some time for the more romantic occupation of a travelling chapman or pedlar-more

mortal with legs." But that the pedlar was to some extent meant as a stalkinghorse to the poet, and the curious observer of men and manners, is evident from the quaint "Journal" which he kept of his rambles, and his having in in 1790 added a volume of poems, of his own composition, to the contents of his pack. But he fell between the proverbial "two stools; " and some of his peddling ideas show so little of the shrewdness of the order, and so much of what nature intended him for, that it is no surprise to find him again obliged to resume his seat at the loom-only for a time, however.

His Scotch love of debate brought him to Edinburgh, where he read his poem, "The Laurel Disputed," before the Pantheon Club, when the comparative merits of Fergusson and Ramsay were made the subject of an evening's discussion. Wilson took the side of Fergusson, but was in the minority. This freak procured him some literary acquaintances, including Dr Anderson, the editor of The Bee, to which Wilson afterwards contributed. In 1791, he issued a second edition of his poems.

In 1792, he published "Watty and Meg" anonymously, and it was for some time attributed to Burns, who, on its being cried about the streets of Dumfries by Andrew Hislop, a well-known hawker, as a new ballad by Robert Burns, replied, "That's a lee, Andrew ;

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ander B. Grosart, was published at Paisley, in 1876.

WATTY AND MEG.

[The graphic vigour and Dutch plainness of the picture here drawn are its chief characteristics. It would not have added to the reputation of the

genius that drew "The Jolly Beggars,” although he modestly thought so. The last stanza is here omitted.]

Keen the frosty winds were blawing,

Deep the snaw had wreathed the ploughs,

Watty, wearied a' day sawing,

Daunert down to Mungo Blue's.

Dryster Jock was sitting cracky
Wi' Pat Tamson o' the Hill:
"Come awa'," quo' Johnny, "Watty!
Haith, we'se hae anither gill."

glad to see Jock Jabos,

And sae mony neighbours roun',
Kicket frae his shoon the snaba's,
Syne ayont the fire sat down.

Ower a broad wi' bannocks heapet,
Cheese, and stoups, and glasses stood;
Some were roaring, ithers sleepit,

Ithers quietly chewt their cude.

His future history belongs to America, and his wider fame to Ornitho-Watty, logy, which study occupied most of his after-life. Eight volumes of his great work on the birds of America, the materials for which he underwent immense labour to collect, was complete, and a ninth was to have finished the book, when one day, in his eagerness to obtain a rare specimen, he swam a river and caught a cold, which ended his life on the 23d August 1813. He was buried with public honours at Philadelphia, where a marble tombstone covers his remains. In 1874, a monument was erected to his memory in Paisley Abbey churchyard. In 1832, an edition of his Ornithology, with a life and notes, was edited by Sir William Jardine. The most complete edition of his poems and letters, with a life, 2 vols., edited by the Rev. Alex

Jock was selling Pate some tallow,
A' the rest a racket hel',
A' but Watty, wha, poor fallow !
Sat and smoket by himsel'.
Mungo fill'd him up a toothfu',

Drank his health and Meg's in ane;
Watty, puffing out a mouthfu’,

Pledged him wi' a dreary grane.

"What's the matter, Watty, wi' you?
Trouth your chafts are fa'ing in!
Something's wrang, I'm vex'd to see you,
Gudesake! but ye're desp'rate thin!"

"Ay," quo' Watty, "things are alter'd,

But it's past redemption now; L-d! I wish I had been halter'd

When I married Maggy Howe! "I've been poor, and vexed, and raggy, Try'd wi' troubles no that sma' ; Them I bore-but marrying Maggy, Laid the cap-stane o' them a'.

"Night and day she's ever yelping,

With the weans she ne'er can gree; When she's tired with perfect skelping, Then she flees like fire on me.

"See ye, Mungo! when she'll clash on
With her everlasting clack,
Whiles I've had my neive in passion
Liftet up to break her back!"

"O, for gudesake, keep frae cuffets!"
Mungo shook his head and said,
"Weel I ken what sort of life it's;

Ken ye, Watty, how I did?

"After Bess and I were kippled,

Soon she grew like ony bear,
Brak' my shins, and when I tippled,
Harl't out my very hair.

"For a wee I quietly knuckled,

But whan naething would prevail, Up my claes and cash I buckled,

'Bess, for ever fare-ye weel.'

"Then her din grew less and less aye,
Haith, I gart her change her tune;
Now a better wife than Bessy
Never stept in leather shoon.

"Try this, Watty. When you see her
Raging like a roaring flood,
Swear that moment that ye'll lea' her,-
That's the way to keep her good."

Laughing, sangs, and lasses' skirls

Echo'd now out thro' the roof;

"Done!" quo' Pate, and syne his erls Nail'd the dryster's wauket loof.

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