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Castle, with its solemn shadowy woods, and husband. Glover threw up his share of the the Ochils, on the south,-Ochtertyre, one of work, and Mallett engaged to perform the the loveliest spots in Scotland, and the gorge whole, to which, besides, he was stimulated of Glenturrett, on the north,--and the bold by a pension from the second Duke of Marl. dark hills which surround the romantic village borough. He got the money, but when he of Comrie, on the west. Crieff is now a place died it was found that he had not written a of considerable note, and forms a centre of line of the work. In his latter days he held summer attraction to multitudes; but at the the lucrative office of Keeper of the Book of commencement of the eighteenth century it Entries for the port of London. He died on must have been a miserable hamlet. Malloch the 21st of April, 1765. was originally the name of the poet, and the “ Mallett is, on the whole, no credit to name is still common in that part of Perth. Scotland. He was a bad, mean, insincere, and shire. David attended the college of Aberdeen, unprincipled man, whose success was procured and became, afterwards, an unsalaried tutor by despicable and dastardly arts. He had in the family of Mr. Home of Dreghorn, near doubtless some genius, and his ‘Birks of Edinburgh. We find him next in the Duke of Invermay' and · William and Margaret'shall Montrose's family, with a salary of £30 per preserve his name after his clumsy imitation
In 1723 he accompanied his pupils of Thomson, called “The Excursion,' and his to London, and changed his name to Mallett, long, rambling · Amyntor and Theodora,' have as more euphonious. Next year he produced been forgotten."-See Gilfillan's “ Less-known his pretty ballad of William and Margaret,'. Brit. Poets,” vol. iii., pp. 130.132. and published it in Aaron Hill's Plain Dealer.' This served as an introduction to the literary society of the metropolis, including such names as Young and Pope. In 1733 he disgraced himself by a satire on the greatest
MARK AKENSIDE. man then living -- the venerable Richard Bentley. Mallett was one of those mean “ Mark Akenside, born 1721, died 1770, was creatures who always worship a rising, and the son of a butcher, and was born at Newturn their backs on a setting sun. By his castie-on-Tyne. An accident in his early years, very considerable talents, his management, and caused by the fall of his father's cleaver on his address, he soon rose in the world. He his foot, lamed him for life, and perpetuated was appointed under-secretary to the Prince of the memory of his lowly birth. He received Wales, with a salary of £200 a year. In con. his education at the grammar-school of that junction with Thomson, to whom he was really town, where Lord Eldon, Lord Stowell, and kind, he wrote, in 1740, The Masque of Lord Collingwood also received the rudiments Alfred,' in honour of the birthday of the of learning: he afterwards graduated at the Princess Augusta. His first wife, of whom universities of Edinburgh and Leyden. On nothing is recorded, having died, he married his return to England he settled for a shrot the daughter of Lord Carlisle's steward, who time at Northampton, then at Hampstead, and brought him a fortune of £10,000. Both she finally in London. Here he gained ultimately and Mallett gave themselves out as Deists. the highest honours of his profession, and This was partly owing to his intimacy with when he died was physician to the queen. Bolingbroke, to gratify whom he heaped abuse His chief poem, on The Pleasures of Imaupon Pope in a preface to · The Patriot-King,' gination,' he completed before he left Leyden. and was rewarded by Bolingbroke leaving him On reaching London it was sent to Dodsley, the whole of his works and MSS. These he who, by Pope's advice, purchased and pub. afterwards published, and exposed himself to lished it. The sum he gave was £120, then the vengeful sarcasm of Johnson, who said deemed a large amount for such a work. It that Bolingbroke was a scoundrel and a coward immediately gained a measure of celebrity -a scoundrel, to charge a blunderbuss against which it has scarcely maintained. In later Christianity; and a coward, because he durst life Akenside altered it in parts without imnot fire it himself, but left a shilling to a beg. proving it: he made it, indeed, only more garly Scotsman to draw the trigger after his dry and scholastic, and is said to have redeath. Mallett ranked himself among the modelled some of the passages which in their calumniators and, as it proved, murderers of primitive state are still most admired and Admiral Byng. He wrote a Life of Lord popular. He also published a collection of Bacon, in which, it was said, he forgot that * Odes,' and in 1746 he engaged to write in Bacon was a philosopher, and would, probably, the “Museum,' a periodical then issued by when he came to write the Life of Marlborough, Dodsley's house. forget that he was a general. This Life of "Akenside's genius was decidedly classical: Bacon is now utterly forgotten. We happened he had extensive learning, lofty conceptions, to read it in our early days, and thought it a and a true love and knowledge of nature. His very contemptible performance. The Duchess Puritan origin and tastes gave an earnesto of Marlborough left £1,000 in her will between ness to his moral views which pervades all his Glover and Mallett to write a Life of her writing. His ear, though not equal to Gray's,
was correct, and his blank verse is free and beautifully modulated, deserving to be studied by all who would excel in that truly English metre. His philosophical ideas are taken chiefly from Plato, Shaftesbury, and Hutche.
He adopted Addison's threefold division of the sources of the pleasures of imagination, though in his later edition he substituted another. The poem is seldom read conti. nuously, but it contains many passages of great force and beauty ; those, for example, where he speaks of the death of Cæsar, where he compares nature and art, where he describes the final causes of the emotion of taste, and in a fragment of a fourth book, where he sketches the landscape on the banks of his native Tyne, and notes the feelings of his own boyhood. His ‘Hymn to the Naiads' has the true classic ring, and has caught the manner and the feeling of Callimachus. His inscriptions -those, for example, on Chaucer and Shakspere-are reckoned among our best, and have been imi. tated by both Southey and Wordsworth. His odes are his least successful productions; his * Ode to the Earl of Huntingdon’ having received most favour. Yet withal, his popularity was greater in his own day than it is likely to be in ours-popularity attributable to the influence of the writings of Gray, and especially to the revived study of Milton and other classic models through the notes and writings of Warton.
" It may be added that, upon the question sometimes discussed, whether the progress of science is favourable to poetry, Akenside differs from Campbell. The latter speaks of poetic feelings that yield 'to cold material laws,' the former holds that the rainbow's tinctured hues' shine the more brightly when science has investigated and explained them." – Dr. Angus's “ Handbook of Eng. Lit.," pp. 216, 217. See Allibone's “Crit. Dict. Eng. Lit."
borough of Oakhampton; and being warmed with that patriotic ardour which rarely fails to inspire the bosom of an ingenuous youth, he became a distinguished partisan of opposi. tion politics, whilst his father was a supporter of the ministry, then ranged under the banners of Walpole. When Frederic Prince of Wales, having quarrelled with the court, formed a separate court of his own, in 1737, Lyttelton was appointed secretary to the Prince, with an advanced salary. At this time Pope bestowed his praise upon our patriot in an animated couplet:
Free as young Lyttelton her course pursue, Still true to virtue, and as warm as true.
“In 1741 he married Lucy, the daughter of Hugh Fortescue, Esq., a lady for whom he entertained the purest affection, and with whom he lived in unabated conjugal harmony. Her death in childbed, in 1747, was lamented by him in a • Monody,' which stands prominent among his poetical works, and displays much natural feeling, amidst the more elabo. rate strains of a poet's imagination. So much may suffice respecting his productions of this class, which are distinguished by the correctness of their versification, the elegance of their diction, and the delicacy of their sentiments. His miscellaneous pieces, and his history of Henry II., the last, the work of his age, have each their appropriate merits, but may here be omitted.
“ The death of his father, in 1751, produced his succession to the title and a large estate ; and his taste for rural ornament rendered Hagley one of the most delightful residences in the kingdom. At the dissolution of the ministry, of which he composed a part, in 1759, he was rewarded with elevation to tho peerage, by the style of Baron Lyttelton, of Frankley, in the county of Worcester. He died of a lingering disorder, which he bore with pious resignation, in August, 1773, in the 64th year of his age."-Aikin's “ Select Brit. Poets." See Gilfillan's Ed. of “Brit. Poets."
GEORGE, LORD LYTTELTON. “George, Lord Lyttelton, born at Hagley, in Jan., 1708-9, was the eldest son of Sir Thomas Lyttelton, Bart., of the same place. He received his early education at Eton, whence he was sent to Christchurch College, Oxford. In both of those places he was dis. tinguished for classical literature, and some of his poems which we have borrowed were the fruits of his juvenile studies. In his nineteenth year he set out on a tour to the Conti. nent; and some of the letters which he wrote during this absence to his father are pleasing proofs of his sound principles, and his unreserved confidence in a venerated parent. He also wrote a poetical epistle to Dr. Ayscough, his Oxford tutor, which is one of the best of his works. On his return from abroad he was chosen representative in Parliament for the
Thomas Gray, born 1716, died 1771, a man of vast and varied acquirements, and whose life was devoted to the cultivation of letters. He was the son of a respectable London money-scrivener, but his father was a man of violent and arbitrary character, and the poet was early left to the tender care of an excellent mother, who had been obliged to separate from her tyrannical husband. He received his education at Eton, and afterwards settled in learned retirement at Cambridge, where he passed nearly the whole of his life. He travelled in Frar.ce and Italy as tutor to Horace Walpole, but quarrelling with his
pupil, he returned home alone. Fixing him. self at Cambridge, he soon acquired a high poetical reputation by his beautiful Ode on a Distant Prospect of Eton College,' published in 1747, which was followed, at pretty frequent intervals, by his other imposing and highly-finished works, the ` Elegy written in a Country Churchyard,' the Pindaric Odes,' and the far from numerous but splendid productions which make up his works. His quiet and studious retirement was only broken by occasional excursions to the North of Eng. land, and other holiday journeys, of which he has given in his letters so vivid and animated a description. His correspondence with his friends, and particularly with the poet Mason, is remarkable for interesting details, descriptions, and reflections, and is indeed, like that of Cowley, among the most delightful records of a thoughtful and literary life. Gray refused the offer of the Laureateship, which was proposed to him on the death of Cibber, but accepted the appointment of Professor of Modern History in the University, though he never performed the functions of that chair, his fastidious temper and indolent self. indulgence keeping him perpetually engaged in forming vast literary projects which he never executed. He appears not to have been popular among his colleagues; his haughty, retiring, and somewhat effeminate character prevented him from sympathizing with the tastes and studies that prevailed there; and he was at little pains to conceal his contempt for academical society. His industry was un. tiring, and his acquirements undoubtedly im. mense ; for he had pushed his researches far beyond the usual limits of ancient classical philology, and was not only deeply versed in the romance literature of the Middle Ages, in modern French and Italian, but had studied the then almost unknown departments of Scandinavian and Celtic poetry. Constant traces may be found in all his works of the degree to which he had assimilated the spirit not only of the Greek lyric poetry, but the finest perfume of the great Italian writers : many passages of his works are a kind of mosaic of thought and imagery borrowed from Pindar, from the choral portions of the Attic tragedy, and from the majestic lyrics of the Italian poets of the sixteenth and seventeenth centuries : but though the substance of these mosaics may be borrowed from a multitude of sources, the fragments are, so to say, fused into one solid body by the intense flame of a powerful and fervent imagination. His finest lyric compositions are the Odes entitled “The Bard,' that on the Progress of Poetry,' the Installation Ode' on the Duke of Grafton's election to the Chancellorship of the University, and the short but truly noble · Ode to Adversity,' which breathes the severe and lofty spirit of the highest Greek lyric inspirațion. The 'Elegy written in a Country Churchyard' is a masterpiece from beginning
to end. The thoughts indeed are obvious enough, but the dignity with which they are expressed, the immense range of allusion and description with which they are illustrated, and the finished grace of the language and versification in which they are embodied, give to this work something of that inimitable perfection of design and execution which we see in an antique statue or a sculptured gem. In the ‘Bard,' starting from the picturesque idea of a Welsh poet and patriot contemplating the victorious invasion of his country by Edward I., he passes in prophetic review the whole panorama of English History, and gives a series of most animated events and per. sonages from the thirteenth to the eighteenth century. It is true that he is occasionally turgid, but the general march of the poem has a rush and a glow worthy of Pindar him. self. The phantoms of the great and the illustrious flit before us like the shadowy kings in the weird procession of Macbeth : and the unity of sentiment is maintained first by the gratified vengeance with which the prophet foresees the crimes and sufferings of the oppressors of his country and their de. scendants, and by the triumphant prediction of the glorious reign of the Tudor race in Britain. In the odes entitled “The Fatal Sisters' and “The Descent of Odin,' Gray borrowed his materials from the Scandinavian legends. The tone of the Norse poetry is not perhaps very faithfully reproduced, but the fiery and gigantic imagery of the ancient Scalds was for the first time imitated in English ; and though the chants retain some echoes of the sentiment and versification of more modern and polished literature, these attempts to revive the rude and archaic grandeur of the mythological traditions of the Eddas deserve no niggardly meed of approbation. In general Gray may be said to overcolour his language, and to indulge occasionally in an excess of ornament and personification; he will nevertheless be always regarded as a lyric poet of a very high order, and as one who brought an immense store of varied and picturesque erudition to feed the fire of a rich and powerful fancy.”-Shaw's
" Hist. Eng. Lit.," pp. 388, 389; Allibone's “Crit. Dict. Eng. Lit.”; Beeton's “ Dict. Univer. Biog.”; Gilfillan's Ed. of “Gray's Poems.”
“William Mason, a poet of some distinction, born in 1725, was the son of a clergyman, who held the living of Hull. He was admitted first of St. John's College, and afterwards of Pembroke College, Cambridge, of the latter of which he was elected Fellow in 1747. He entered into holy orders in 1754, and, by the favour of the Earl of Holderness, was pre
sented to the valuable rectory of Aston, been placed to his memory in Poets' Corner,
prose or verse, bear - peculiar stamp of gentle simplicity of language proper to this species grace and elegance. He was born at the of composition, and breathe noble sentiments village of Pallas, in the county of Longford, of freedom and virtue. A collection of all Ireland. His father was a poor curate of his poems which he thought worthy of pra. English extraction, struggling, with the aid serving, was published in 1764, and afterwards of farming and a miserable stipend, to bring went through several editions. He had
up a large family. By the assistance of a married an amiable lady, who died of a con- benevolent uncle, Mr. Contarine, Oliver was sumption in 1767, and was buried in the enabled to enter the University of Dublin in cathedral of Bristol, under a monument, on the humble quality of sizar. He however which are inscribed some very tender and neglected the opportunities for study which beautiful lines, by her husband.
the place offered him, and became notorious “In 1772, the first book of Mason's ‘En. | for his irregularities, his disobedience to auglish Garden,’ a didactic and descriptive poem, thority, and above all for a degree of im. in blank verse, made its appearance, of which providence carried to the extreme, though the fourth and concluding book was printed excused by a tenderness and charity almost in 1781. Its purpose was to recommend the morbid. The earlier part of his life is an modern system of natural or landscape gar- obscure and monotonous narrative of indening, to which the author adheres with effectual struggles to subsist, and of wanderthe rigour of exclusive taste. The versifica- ings which enabled him to traverse almost tion is formed upon the best models, and the the whole of Europe. Having been for description, in many parts, is rich and vivid ; a short time tutor in a family in Ireland, but a general air of stiffness prevented it he determined to study medicine; and after from attaining any considerable share of nominally attending lectures in Edinburgh, he popularity. Some of his following poetic began those travels—for the most part on pieces express his liberal sentiments on poli- foot, and subsisting by the aid of his flute tical subjects; and when the late Mr. Pitt and the charity given to a poor scholarcame into power, being then the friend of a which successively led him to Leyden, through free constitution, Mason addressed him in an Holland, France, Germany, and Switzerland, * Ode,' containing many patriotic and manly and even to Pavia, where he boasted, though ideas. But being struck with alarm at the the assertion is hardly capable of proof, that unhappy events of the French Revolution, he received a medical degree. one of his latest pieces was a 'Palinody to fessional as well as his general knowledge Liberty.' He likewise revived, in an improved was of the most superficial and inaccurate form, and published, Du Fresnoy's Latin character. It was while wandering in the poem on the Art of Painting, enriching it guise of a beggar in Switzerland that he with additions furnished by Sir Joshua Rey. sketched out the plan of his poem of the nolds, and with a metrical version. Few Traveller,' which afterwards formed the have been better executed than this, which commencement of his fame. In 1756 he unites to great beauties of language a correct found his way back to his native country; representation of the original. His tribute and his career during about eight years was to the memory of Gray, being an edition of a succession of desultory struggles with his poems, with some additions, and · Memoirs famine, sometimes as a chemist's shopman in of his Life and Writings,' was favourably re- London; sometimes as an usher in boardingceived by the public.
schools, the drudge of his employers and the “ Mason died in April, 1797, at the age of butt and laughing-stock of the pupils; someseventy-tivo, in consequence of a mortification times as a practitioner of medicine among the pruduced by a hurt in hiš leg. A tablet has poorest and most squalid population—the
beggars in Axe Lane,' as he expressed it him. upon the stage in some measure from its very self; and more generally as a miserable and merits, some of its comic scenes shocking the scantily-paid bookseller's hack. More than perverted taste of an audience which admired once, under the pressure of intolerable dis. , the whining, preaching, sentimental pieces tress, he exchanged the bondage of the school that were then in fashion. In 1768 Goldfor the severer slavery of the corrector's table | smith composed, as taskwork for the bookin a printing-office, and was driven back again sellers--though taskwork for which his now to the bondage of the school. The grace and rapidly rising popularity secured good pay. readiness of his pen would probably have af- ment-the History of Rome,' distinguished forded him a decent subsistence, even from by its extreme superficiality of information the hardly-earned wages of a drudge-writer, and want of research no less than by enbut for his extreme improvidence, his almost chanting grace of style and vivacity of narrachildish generosity, his passion for pleasure tion. In 1770 he published the 'Deserted and fine clothes, and above all his propensity Village,' the companion poem to the Trafor gambling. At one time, during this veller,' written in some measure in the same wretched period of his career, he failed to manner, and not less touching and perfect; pass the examination qualifying him for the and in 1773 was acted his comedy "She humble medical post of a hospital mate; and, Stoops to Conquer,' one of the gayest, pleaunder the pressure of want and improvidence, santest, and most amusing pieces that the committed the dishonourable action of pawn. English stage can boast. Goldsmith had long ing a suit of clothes lent him by his employer, risen from the obscurity to which he had been Griffiths, for the purpose of appearing with condemned : he was one of the most admired decency before the Board. His literary ap- and popular authors of his time; his society prenticeship was passed in this serere school was courted by the wits, artists, statesmen, --writing to order, and at a moment's notice, and writers who formed a brilliant circle schoolbooks, tales for children, prefaces, in- round Johnson and Reynolds—Burke, Garrick, dexes, and reviews of books; and contributing Beauclerk, Percy, Gibbon, Boswell--and he to the Monthly,' “Critical,' and 'Lacly's became a member of that famous Club which Review,' the ‘British Magazine,' and other is so intimately associated with the inperiodicals. His chief employer in this way tellectual history of that time. Goldsmith appears to have been Griffiths, and he is said was one of those men whom it is impossible to have been at one time engaged as a cor- not to love, and equally impossible not to rector of the press in Richardson's service. despise and laugh at; his vanity, his childish In this period of obscure drudgery he com- though not malignant envy, his more than posed some of his most charming works, or Irish aptitude for blunders, his eagerness to at least formed that inimitable style which shine in conversation, for which he was pecumakes him the rival, and perhaps more than liarly unfitted, his weaknesses and genius the rival, of Addison. He produced the combined, made him the pet and the laughing• Chinese Letters, the plan of which is imi- stock of the company. He was now in the tated from Montesquieu's · Lettres Persanes,' receipt of an income which for that time and giving a description of English life and man- for the profession of letters might have been ners in the assumed character of a Chinese accounted splendid ; but his improvidence traveller, and containing some of those little kept him plunged in debt, and he was always sketches and humorous characters in which anticipating his receipts, so that he continued he was unequalled ; a “Life of Bean Nash;' to be the slave of booksellers, who obliged and a short and gracefully-narrated · History him to waste his exquisite talent on works of England,' in the form of Letters from a hastily thrown off, and for which he neither Nobleman to his Son,' the authorship of which possessed the requisite knowledge nor could was ascribed to Lyttelton. It was in 1764 make the necessary researches : thus he that the publication of his beautiful poem of successively put forth taskwork the the Traveller' caused him to emerge from History of England,' the “ History of the slough of obscure literary drudgery in Greece,' and the · History of Animated which he had hitherto been crawling. The Nature,' the two former works being mere universal judgment of the public pronounced compilations of second-hand facts, and the that nothing so harmonious and so original last an epitomized translation of Buffon. In had appeared since the time of Pope; and these books we see how Goldsmith's neverfrom this period Goldsmith's career was one failing charm of style and easy grace of of uninterrupted literary success, though his narration compensates for total ignorance folly and improvidence kept him plunged in and a complete absence of independent knowdebt which even his large earnings could not ledge of the subject. In 1774 this brilliant enable him to avoid, and from which indeed and feverish career was terminated. Gold. no amount of fortune would have saved him. smith was suffering from a painful and danIn 1766 appeared the Vicar of Wakefield, gerous disease, aggravated by disquietude of that masterpiece of gentle humour and deli. mind arising from the disorder in his affairs ; cate tenderness ; in the following year his first and relying upon his knowledge of medicine comedy, the 'Goodnatured Man,' which failed he imprudently persisted in employing a