Enclitic, Հատոր 6

aesthetic apparatus articulation audience Bartleby becomes body camera castration character cinema Cléo Cléo's codes context critical critique cultural Daniel Deronda deconstruction Derrida desire dialectical diegesis discourse effect enclitic essay existence experience female feminine fiction figure film frame Freud function gaze Gogh identity ideology imaginary India Song institutions issues Jeffries Lacan language Larry Crawford literary literature look male Marguerite Duras Marxism meaning metaphor mirror montage Montrelay mother movement narrative Nathalie Granger notion novel object opera phallus philosophy photograph play pleasure political position postmodern practice production psychoanalysis question reading reality relation representation rock and roll Roland Barthes Rorty scene screen semiotic sense sexual shot signifier social space spectator structure symbolic textual analysis theory Thomas l'obscur tion traditional truth Un Chant d'amour University visual voyeurism Winnicott woman women words writing Zola