Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 28–ի 1-ից 3-ը:
Էջ 102
... according to the present view , will comprise two grades of poetry - one the higher , in which the theme is pre- dominantly emotional , and the other the lower in which it is not so . In the next place the poet's own feeling , according ...
... according to the present view , will comprise two grades of poetry - one the higher , in which the theme is pre- dominantly emotional , and the other the lower in which it is not so . In the next place the poet's own feeling , according ...
Էջ 105
... according to the specific kind of emotion portrayed - love , pathos , fear , wonder and the like ; and , on the basis of this internal difference , rasa experience is ordinarily divided into eight or nine kinds . But it is not necessary ...
... according to the specific kind of emotion portrayed - love , pathos , fear , wonder and the like ; and , on the basis of this internal difference , rasa experience is ordinarily divided into eight or nine kinds . But it is not necessary ...
Էջ 109
... according to the aesthetic sensibilities of particular individuals and not according to their other personal peculiarities . 8. See Note 4 above on p . 29. Cf. the explanation of prītī as alaukika- camatkara in DA .. p . 203 ( com ...
... according to the aesthetic sensibilities of particular individuals and not according to their other personal peculiarities . 8. See Note 4 above on p . 29. Cf. the explanation of prītī as alaukika- camatkara in DA .. p . 203 ( com ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing