Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 81–ի 1-ից 3-ը:
Էջ 28
... Aesthetic Emotion3 in the strict sense of the philosopher , must be considered the deriva- tive adjective rasavant ' having rasa ' , applied to a work of art , and the derivative substantive rasika , one who enjoys rasa , a connoisseur ...
... Aesthetic Emotion3 in the strict sense of the philosopher , must be considered the deriva- tive adjective rasavant ' having rasa ' , applied to a work of art , and the derivative substantive rasika , one who enjoys rasa , a connoisseur ...
Էջ 51
... aesthetic judgment I must compare sensations in respect of their qualitative relations . But there are no qualita- tive relations between the different kinds of sensations . In other words , for an aesthetic judgement , egocentric ...
... aesthetic judgment I must compare sensations in respect of their qualitative relations . But there are no qualita- tive relations between the different kinds of sensations . In other words , for an aesthetic judgement , egocentric ...
Էջ 58
... aesthetic relation . The same holds true about relations between entities and relations , which may be logical or aesthetic . In other words , the term aesthetic relation is wider than rhythm . To state my position in terms of logic ...
... aesthetic relation . The same holds true about relations between entities and relations , which may be logical or aesthetic . In other words , the term aesthetic relation is wider than rhythm . To state my position in terms of logic ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing