Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 32–ի 1-ից 3-ը:
Էջ 40
... called beautiful we recognise a correspondence of theme and expression , content and form : While in those called ugly we find the content and form at variance . In time and space , however , the correspondence never amounts to an ...
... called beautiful we recognise a correspondence of theme and expression , content and form : While in those called ugly we find the content and form at variance . In time and space , however , the correspondence never amounts to an ...
Էջ 105
... called rasa . The word rasa primarily means " taste " or " savour " , such as sweetness ; and , by a metaphorical extension , it has been applied to the type of experience referred to above . The point of the metaphor is that , as in ...
... called rasa . The word rasa primarily means " taste " or " savour " , such as sweetness ; and , by a metaphorical extension , it has been applied to the type of experience referred to above . The point of the metaphor is that , as in ...
Էջ 141
... called dhvani - kāvya , poetry of resonance , because the suggested sense ( vyaṇgyārtha ) is " echo- ed " perfectly in this class of poetry . Visvanatha2 confirms this as the etymology of the term : here beauty resides in the suggested ...
... called dhvani - kāvya , poetry of resonance , because the suggested sense ( vyaṇgyārtha ) is " echo- ed " perfectly in this class of poetry . Visvanatha2 confirms this as the etymology of the term : here beauty resides in the suggested ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing