Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 22–ի 1-ից 3-ը:
Էջ 113
... correlative is the latter half of Eliot's essay on Hamlet : Mr Robertson is undoubtedly correct in concluding that the essential emotion of the play is the feeling of a son towards a guilty mother .... The only way of expressing emotion ...
... correlative is the latter half of Eliot's essay on Hamlet : Mr Robertson is undoubtedly correct in concluding that the essential emotion of the play is the feeling of a son towards a guilty mother .... The only way of expressing emotion ...
Էջ 123
... correlative subsequently found for it . " But ( he observes ) in another sense , objective correlatives " may serve as a precipitant to the artist , in that through their comprehension the artist is able to find a provisional pattern of ...
... correlative subsequently found for it . " But ( he observes ) in another sense , objective correlatives " may serve as a precipitant to the artist , in that through their comprehension the artist is able to find a provisional pattern of ...
Էջ 130
... correlative ' . T.S. Eliot says : " The only way of expressing emotion in the form of art is by finding an ' objective correlative . " If emotion is the main content of poetry , its literary form as organised and patterned by the poet ...
... correlative ' . T.S. Eliot says : " The only way of expressing emotion in the form of art is by finding an ' objective correlative . " If emotion is the main content of poetry , its literary form as organised and patterned by the poet ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing