Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 28–ի 1-ից 3-ը:
Էջ 3
... creating great poetry which keeps its hold on the centuries . Moreover , techni- que , however indispensable ... create with his eye fixed anxiously on the technique of his art . He has to possess it , no doubt ; but in the heat ...
... creating great poetry which keeps its hold on the centuries . Moreover , techni- que , however indispensable ... create with his eye fixed anxiously on the technique of his art . He has to possess it , no doubt ; but in the heat ...
Էջ 183
... creates a screen on which perceived or imagined experience is projected and viewed . It is therefore obvious that to form ... create the illusion of reality , so also , ideas can only deal with the flux of life , after breaking it into a ...
... creates a screen on which perceived or imagined experience is projected and viewed . It is therefore obvious that to form ... create the illusion of reality , so also , ideas can only deal with the flux of life , after breaking it into a ...
Էջ 233
... create of a highly organised body of concepts , visibly within the body of poetry . The body of poetry is emotion and the knowledge assimilated in it is emotionally assimilated . Otherwise it is not poetry , though it is often the prose ...
... create of a highly organised body of concepts , visibly within the body of poetry . The body of poetry is emotion and the knowledge assimilated in it is emotionally assimilated . Otherwise it is not poetry , though it is often the prose ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing