Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 88–ի 1-ից 3-ը:
Էջ 59
... experience whose constituents are relations may , there- fore , be a logical experience or an aesthetic experience . If the experience is logical , the constituent relations will follow the principle of coherence in obedience to the law ...
... experience whose constituents are relations may , there- fore , be a logical experience or an aesthetic experience . If the experience is logical , the constituent relations will follow the principle of coherence in obedience to the law ...
Էջ 96
... experience , depending upon an outer stimulus , but a natural and necessary expression of an inner attitude of the soul . We may summarise what has been set forth , so far , as follows : The experience of art , like that of the ideal ...
... experience , depending upon an outer stimulus , but a natural and necessary expression of an inner attitude of the soul . We may summarise what has been set forth , so far , as follows : The experience of art , like that of the ideal ...
Էջ 105
... experience , as being aesthetic , are marked by a tem- porary forgetting of the self . But while in one case , the objec- tive factor is integral to the ultimate poetic experience , in the other , it is not so , 24 because it has , as ...
... experience , as being aesthetic , are marked by a tem- porary forgetting of the self . But while in one case , the objec- tive factor is integral to the ultimate poetic experience , in the other , it is not so , 24 because it has , as ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing