Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 66–ի 1-ից 3-ը:
Էջ 46
... fact a second instance of P at all , and the appearance that it is is misleading . Had my friend himself gone to Ajanta and standing before the frescoes , judged them to be beautiful then he would have given us a proposition P2 which ...
... fact a second instance of P at all , and the appearance that it is is misleading . Had my friend himself gone to Ajanta and standing before the frescoes , judged them to be beautiful then he would have given us a proposition P2 which ...
Էջ 61
... facts of immediate experience in literature are the printed or spoken words and their syntactic relations . In order ... fact of cognition . To this class will belong , first of all , all nouns which by definition stand for objects . It ...
... facts of immediate experience in literature are the printed or spoken words and their syntactic relations . In order ... fact of cognition . To this class will belong , first of all , all nouns which by definition stand for objects . It ...
Էջ 143
... fact or of poetic figure . Abhinava starts by affirming the supremacy of rasa . This value is the essence of poetry.1 There can be no poetry without rasa.14 The admission of the two categories of the suggestion of matter of fact and of ...
... fact or of poetic figure . Abhinava starts by affirming the supremacy of rasa . This value is the essence of poetry.1 There can be no poetry without rasa.14 The admission of the two categories of the suggestion of matter of fact and of ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing