Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 21–ի 1-ից 3-ը:
Էջ 142
... figure ( alaṁkāra dhvani ) . Here the suggested sense constitutes something maginative ( not matter of fact ) which , if expressed in so many words , would assume the form of a poetic figure . Or what is suggested may be a mood or ...
... figure ( alaṁkāra dhvani ) . Here the suggested sense constitutes something maginative ( not matter of fact ) which , if expressed in so many words , would assume the form of a poetic figure . Or what is suggested may be a mood or ...
Էջ 145
... figure . " This elaboration refines the sensible image by associa- tion with other sharp and sensible images , to ... figures and not specially to the image that is suggested , which is the specific concern of the dhvani theory and ...
... figure . " This elaboration refines the sensible image by associa- tion with other sharp and sensible images , to ... figures and not specially to the image that is suggested , which is the specific concern of the dhvani theory and ...
Էջ 157
... figure ( alaṁkāra ) incarnates the charm ( vicchitti ) of sound and sense , and it is not possible to define this ... figures . The difficulties he ran into , in distin- guishing between three figures , svabhāvokti , bhāvika and rasa ...
... figure ( alaṁkāra ) incarnates the charm ( vicchitti ) of sound and sense , and it is not possible to define this ... figures . The difficulties he ran into , in distin- guishing between three figures , svabhāvokti , bhāvika and rasa ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing