Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 17–ի 1-ից 3-ը:
Էջ 46
... judgement , not an aesthetic one . An aesthetic judgement must thus be a judgement by experience , not by des- cription ; whereas a logical judgement can be either by experience or by description . P2 This point leads us to the further ...
... judgement , not an aesthetic one . An aesthetic judgement must thus be a judgement by experience , not by des- cription ; whereas a logical judgement can be either by experience or by description . P2 This point leads us to the further ...
Էջ 49
... judgement of the form " X is beautiful " , I can do so only through proposi- tions of the order of S. The next ... judgement in that case would not be a fully valid aesthetic judgement . I shall indicate my reasons for saying so ...
... judgement of the form " X is beautiful " , I can do so only through proposi- tions of the order of S. The next ... judgement in that case would not be a fully valid aesthetic judgement . I shall indicate my reasons for saying so ...
Էջ 51
... judgement based on this arrange- ment is the only possible judgement which can be aesthetic . If , then , I find that the series S ' stimulated in me by O is governed by the laws of harmony , contrast and balance , I can judge that O is ...
... judgement based on this arrange- ment is the only possible judgement which can be aesthetic . If , then , I find that the series S ' stimulated in me by O is governed by the laws of harmony , contrast and balance , I can judge that O is ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing