Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 25–ի 1-ից 3-ը:
Էջ 50
... look at its terms from the point of view of the qualitative differences of their object - sensations . I can say , for instance , that S ' is about green , S ' is about yellow , S ' , is about red and so on . Or I could disregard the ...
... look at its terms from the point of view of the qualitative differences of their object - sensations . I can say , for instance , that S ' is about green , S ' is about yellow , S ' , is about red and so on . Or I could disregard the ...
Էջ 69
... look outwards , to the ' repentance ' of the lover , the ' shame ' which is to be hidden from every eye and the ' guilt ' which must be covered . Secondly , the ego whose emo- tions these are , is a passive ego submitting to the ...
... look outwards , to the ' repentance ' of the lover , the ' shame ' which is to be hidden from every eye and the ' guilt ' which must be covered . Secondly , the ego whose emo- tions these are , is a passive ego submitting to the ...
Էջ 194
... look upon ourselves only as natural beings , subject to the laws of nature which govern all things in the phenomenal world . But when the super - sensible faculty of morality is aroused in us , and when we become aware of our capacity ...
... look upon ourselves only as natural beings , subject to the laws of nature which govern all things in the phenomenal world . But when the super - sensible faculty of morality is aroused in us , and when we become aware of our capacity ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing