Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 73–ի 1-ից 3-ը:
Էջ 49
... meaning if it is to be of any good to us . But a proposition which conveys a meaning need not necessarily be based on a meaning . If I say " I hear C major " or " I see a round patch of green " , my utterance has a meaning , but the ...
... meaning if it is to be of any good to us . But a proposition which conveys a meaning need not necessarily be based on a meaning . If I say " I hear C major " or " I see a round patch of green " , my utterance has a meaning , but the ...
Էջ 78
... meaning . In narrative and in dramatic poetry , thought or outer meaning builds up a pattern of situations or a story in which the inner meaning of the poet is deposited . There is no inner meaning at all in didactic poetry . All that ...
... meaning . In narrative and in dramatic poetry , thought or outer meaning builds up a pattern of situations or a story in which the inner meaning of the poet is deposited . There is no inner meaning at all in didactic poetry . All that ...
Էջ 83
... meaning to develop into a consistent philosophy of life , even as it happens in odes and elegies that belong to the domain of reflective poetry . Brooks and Warren have ... meanings are fused together , POETIC MEANING : INNER AND OUTER 83.
... meaning to develop into a consistent philosophy of life , even as it happens in odes and elegies that belong to the domain of reflective poetry . Brooks and Warren have ... meanings are fused together , POETIC MEANING : INNER AND OUTER 83.
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing