Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 21–ի 1-ից 3-ը:
Էջ 2
... Pleasure , certainly , we expect from poetry as from all art ; but the external sensible and even the inner imaginative pleasure are only first elements ; refined in order to meet the highest requirements of the intelli- gence , the ...
... Pleasure , certainly , we expect from poetry as from all art ; but the external sensible and even the inner imaginative pleasure are only first elements ; refined in order to meet the highest requirements of the intelli- gence , the ...
Էջ 98
... pleasure ( priti ) .3 It may have other uses also for him . For example , it may have some lesson or criticism of life to convey to him ; but they are all more or less remote , un- like pleasure which is its immediate use or value for ...
... pleasure ( priti ) .3 It may have other uses also for him . For example , it may have some lesson or criticism of life to convey to him ; but they are all more or less remote , un- like pleasure which is its immediate use or value for ...
Էջ 100
... pleasure which it yields will be absolutely pure . That is the significance of its description by Indian writers as " higher pleasure " ( para - nir- vṛti ) . And art will yield such pleasure , it should be observed not only when its ...
... pleasure which it yields will be absolutely pure . That is the significance of its description by Indian writers as " higher pleasure " ( para - nir- vṛti ) . And art will yield such pleasure , it should be observed not only when its ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing