Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 90–ի 1-ից 3-ը:
Էջ 141
... poetry . " Types of poetic endeavour are now categorised in the light of the principle of the supremacy of suggestion . The best poe- try is that in which the suggested sense predominates and super- sedes the expressed . This is called ...
... poetry . " Types of poetic endeavour are now categorised in the light of the principle of the supremacy of suggestion . The best poe- try is that in which the suggested sense predominates and super- sedes the expressed . This is called ...
Էջ 187
... poetry , and we find that the highest form of poetry is sometimes precisely that which deals with this content . The significant characteristics of a poet , as a poet , are revealed in the particular manner in which he deals with ideas ...
... poetry , and we find that the highest form of poetry is sometimes precisely that which deals with this content . The significant characteristics of a poet , as a poet , are revealed in the particular manner in which he deals with ideas ...
Էջ 230
... poetry is not particularly important in poetry , for poets and for their readers . It is a different matter to say that poets have always been interested in the knowledge available to them in their time and have used it for their ...
... poetry is not particularly important in poetry , for poets and for their readers . It is a different matter to say that poets have always been interested in the knowledge available to them in their time and have used it for their ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing