Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 30–ի 1-ից 3-ը:
Էջ 137
... possible manifestations of the poet's art like a picture painted by a master - painter.16 Not only in theory , but in practice too , Sanskrit master - poets like Kalidasa and Bhavabhuti wrote their dramatic masterpieces besides trying ...
... possible manifestations of the poet's art like a picture painted by a master - painter.16 Not only in theory , but in practice too , Sanskrit master - poets like Kalidasa and Bhavabhuti wrote their dramatic masterpieces besides trying ...
Էջ 219
... possible texts in it . In reading ordinary discourse the reader simply decodes it in accordance with a code he is already in possession of . In reading a work of literary art , especially a poem , he is rather in the position of a child ...
... possible texts in it . In reading ordinary discourse the reader simply decodes it in accordance with a code he is already in possession of . In reading a work of literary art , especially a poem , he is rather in the position of a child ...
Էջ 233
... possible to cut the connection between poetry and knowledge and yet expect it to have the utmost seriousness , to play a spiritual role ? I think that if the relation of poetry to knowledge is not more often discussed by poets and ...
... possible to cut the connection between poetry and knowledge and yet expect it to have the utmost seriousness , to play a spiritual role ? I think that if the relation of poetry to knowledge is not more often discussed by poets and ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing