Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 38–ի 1-ից 3-ը:
Էջ ix
... present editors faced in bringing together the essays . Our modest aim therefore is that of pioneering study in an area of interest that any serious Indian critic can ill afford to over- look . We do own the crudeness of quality that a ...
... present editors faced in bringing together the essays . Our modest aim therefore is that of pioneering study in an area of interest that any serious Indian critic can ill afford to over- look . We do own the crudeness of quality that a ...
Էջ 17
... present is that something comes down and accepts to work under the law of the mind and with a mixture of the mind and it must be judged by the laws and standards of the mind . It brings in new tones , new colours , new elements , but it ...
... present is that something comes down and accepts to work under the law of the mind and with a mixture of the mind and it must be judged by the laws and standards of the mind . It brings in new tones , new colours , new elements , but it ...
Էջ 127
... present , vira acts upon the poem's chief emotion , karuna ( the quality of the present ) , penetrating and assimilating , it , till vira is finally triumphant and supreme - though the mood at the actual close of the poem is santa ...
... present , vira acts upon the poem's chief emotion , karuna ( the quality of the present ) , penetrating and assimilating , it , till vira is finally triumphant and supreme - though the mood at the actual close of the poem is santa ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing