Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 10–ի 1-ից 3-ը:
Էջ 37
... regarded his Laila as far from beautiful . " To see the beauty of Laila , " he said , " requires the eyes of Majnun . " It is the same with works of art . Different artists are ins- pired by different objects ; what is attractive and ...
... regarded his Laila as far from beautiful . " To see the beauty of Laila , " he said , " requires the eyes of Majnun . " It is the same with works of art . Different artists are ins- pired by different objects ; what is attractive and ...
Էջ 101
... regarded as the theme of poetry . A poem of the higher type , we have stated , depicts a situa- tion which is predominantly emotional . This emphasis on the emotional character of the theme may lead one to suppose that the type ...
... regarded as the theme of poetry . A poem of the higher type , we have stated , depicts a situa- tion which is predominantly emotional . This emphasis on the emotional character of the theme may lead one to suppose that the type ...
Էջ 154
... regarded as inferior purely because the technique is not that of suggestion ? When the dhvani school recast theory to restore rasa to supreme status in poetry , a status which suggestion had threa- tened to seize in the enthusiasm of ...
... regarded as inferior purely because the technique is not that of suggestion ? When the dhvani school recast theory to restore rasa to supreme status in poetry , a status which suggestion had threa- tened to seize in the enthusiasm of ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing