Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 31–ի 1-ից 3-ը:
Էջ 43
... reveals beauty where we should have otherwise overlooked it , or more clearly than we have yet received . Beauty is ... reveal the beauty of all experiences , new and old . Many have rightly insisted that the beauty of a work of art is ...
... reveals beauty where we should have otherwise overlooked it , or more clearly than we have yet received . Beauty is ... reveal the beauty of all experiences , new and old . Many have rightly insisted that the beauty of a work of art is ...
Էջ 79
... reveals Pope's attitude towards his subject that of illumined percep- tion . It would be too much to say that there is a sense of pity or of resentment lurking in these lines , though man's condition cán arouse either or both of these ...
... reveals Pope's attitude towards his subject that of illumined percep- tion . It would be too much to say that there is a sense of pity or of resentment lurking in these lines , though man's condition cán arouse either or both of these ...
Էջ 110
... reveals ' ( prakāsaka ) ; and thought , in this sense , is always intimately connected with " what is revealed " by it ( prakāsya ) , viz ,, the object . Hence the process of thinking , apart from reference to some presen- tation , is ...
... reveals ' ( prakāsaka ) ; and thought , in this sense , is always intimately connected with " what is revealed " by it ( prakāsya ) , viz ,, the object . Hence the process of thinking , apart from reference to some presen- tation , is ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing