Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 31–ի 1-ից 3-ը:
Էջ 33
... seen that this view is monistic : the doctrine of the universal presence of reality is that of the immanence of the Absolute . It is inconsistent with a view of the world as absolute māyā , or utterly unreal , but it implies that ...
... seen that this view is monistic : the doctrine of the universal presence of reality is that of the immanence of the Absolute . It is inconsistent with a view of the world as absolute māyā , or utterly unreal , but it implies that ...
Էջ 176
... seen at all . The laughter which causes the expansion of the mouth , the eyes and the cheeks and exposes the teeth slightly si hasita . Vihasita is that type of laughter which produces sound but still remains sweet , which affects the ...
... seen at all . The laughter which causes the expansion of the mouth , the eyes and the cheeks and exposes the teeth slightly si hasita . Vihasita is that type of laughter which produces sound but still remains sweet , which affects the ...
Էջ 227
... seen from within and poetry seen from outside . Knowledge of mysticism , as of poetry , may be obtained by studying examples , theories and interpretations of and comment- aries on it : ideas , principles and patterns of thought . What ...
... seen from within and poetry seen from outside . Knowledge of mysticism , as of poetry , may be obtained by studying examples , theories and interpretations of and comment- aries on it : ideas , principles and patterns of thought . What ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing