Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 83–ի 1-ից 3-ը:
Էջ 14
... Thought , the Illumined Mind or the pure Intuition . This last is different from the mental intuition which is frequent enough in poetry that does not transcend the mental level . The language and rhythm from these other Overhead levels ...
... Thought , the Illumined Mind or the pure Intuition . This last is different from the mental intuition which is frequent enough in poetry that does not transcend the mental level . The language and rhythm from these other Overhead levels ...
Էջ 84
... Thought in French poetry brought about a revolt known as the Symbolist Movement . Being apprehensive of the fact that the reader might go by outer meaning and take that alone to be poetry , the symbolists suppressed outer meaning almost ...
... Thought in French poetry brought about a revolt known as the Symbolist Movement . Being apprehensive of the fact that the reader might go by outer meaning and take that alone to be poetry , the symbolists suppressed outer meaning almost ...
Էջ 110
... thought " , the only one of them that has a bearing on our subject ( see next Note ) : According to the Indian conception , the term " thought " ( jnāna ) means " what reveals ' ( prakāsaka ) ; and thought , in this sense , is always ...
... thought " , the only one of them that has a bearing on our subject ( see next Note ) : According to the Indian conception , the term " thought " ( jnāna ) means " what reveals ' ( prakāsaka ) ; and thought , in this sense , is always ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing