Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 28–ի 1-ից 3-ը:
Էջ 21
... truth and beauty ; but there can be an aesthetic response to truth also , a joy in its beauty , a love creat- ed by its charm , a rapture in the finding , a passion in the embrace , an aesthetic joy in its expression , a satisfaction of ...
... truth and beauty ; but there can be an aesthetic response to truth also , a joy in its beauty , a love creat- ed by its charm , a rapture in the finding , a passion in the embrace , an aesthetic joy in its expression , a satisfaction of ...
Էջ 22
... truth and beauty not only become constant companions but become one , involved in each other , inseparable : on that level the true is always beautiful and the beautiful is always true . Their highest fusion perhaps only takes place in ...
... truth and beauty not only become constant companions but become one , involved in each other , inseparable : on that level the true is always beautiful and the beautiful is always true . Their highest fusion perhaps only takes place in ...
Էջ 230
... truth may be different from that of science . Poetic truth is not pseudo - truth , if such a term is permissible . It has to be examined in its context and may be located anywhere between the strictly personal and the universal . In ...
... truth may be different from that of science . Poetic truth is not pseudo - truth , if such a term is permissible . It has to be examined in its context and may be located anywhere between the strictly personal and the universal . In ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing