Critical Thought: An Anthology of 20th Century Indian English EssaysS. K. Desai, G. N. Devy Oriental University Press, 1987 - 255 էջ |
From inside the book
Արդյունքներ 25–ի 1-ից 3-ը:
Էջ 18
... universal ānanda that is the parent of aesthesis and the universal ānandat akes three major and original forms , beauty , love and delight , the delight of all existence , the delight in things , in all things . Universal ananda is the ...
... universal ānanda that is the parent of aesthesis and the universal ānandat akes three major and original forms , beauty , love and delight , the delight of all existence , the delight in things , in all things . Universal ananda is the ...
Էջ 19
... universal beauty , a universal love , a universal delight . These things can come on the mental and vital plane even before those planes are directly touched or influenced by the spiritual consci- ousness ; but they are there a ...
... universal beauty , a universal love , a universal delight . These things can come on the mental and vital plane even before those planes are directly touched or influenced by the spiritual consci- ousness ; but they are there a ...
Էջ 20
... universal beauty touching and uplifting all things , expressing itself through them , moulding them into a field or objects of its divine aesthesis ; a universal love goes out from him to all beings ; he feels the Bliss which has ...
... universal beauty touching and uplifting all things , expressing itself through them , moulding them into a field or objects of its divine aesthesis ; a universal love goes out from him to all beings ; he feels the Bliss which has ...
Բովանդակություն
Overmind Aesthesis | 9 |
The Hindu View of Art | 27 |
The Nature of Aesthetic Judgement | 45 |
Հեղինակային իրավունք | |
11 այլ բաժինները չեն ցուցադրվում
Common terms and phrases
A.C. Bradley Abhinavagupta aesthesis aesthetic aesthetic judgement Ajanta ANANDA COOMARASWAMY Anandavardhana artist atomic words attitude beauty become Bharata's bhāva character concept consciousness contrast and balance creative dhvani theorists Dhvanyāloka drama egocentric particulars element emotional relations epic essay evocation expression fact feeling harmony hāsya human I.A. Richards ideal ideas imagery imagination inner meaning Kālidāsa kāvya kind knowledge language laughter laws lines literary literature logical lyric Mahabharata Mallarmé Marathi ment mind mood myth nature Nātyaśāstra Nissim Ezekiel objective correlative outer meaning Overhead Overmind P₁ pattern person philosophy play pleasure poem poem-encountering-event poet poet's poetic figure poetry present proposition prose Rāmāyana rasa reader realise reality reference religion rhythm sensations sense sentence significance soul spirit Sri Aurobindo sṛngāra statements suffering suggestion symbol symbolist T.S. Eliot theme theory things thought tion tragedy tragic truth universal utterance validity Valmiki vision writing