The Great War: Myth and MemoryThe First World War, with its mud and the slaughter of the trenches, is often taken as the ultimate example of the futility of war. Generals, safe in their headquarters behind the lines, sent millions of men to their deaths to gain a few hundred yards of ground. Writers, notably Siegfried Sassoon and Wilfred Owen, provided unforgettable images of the idiocy and tragedy of the war. Yet this vision of the war is at best a partial one, the war only achieving its status as the worst of wars in the last thirty years. At the time, the war aroused emotions of pride and patriotism. Not everyone involved remembered the war only for its miseries. The generals were often highly professional and indeed won the war in 1918. In this original and challenging book, Dan Todman shows views of the war have changed over the last ninety years and how a distorted image of it emerged and became dominant. |
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11 November A. J. P. Taylor Archives Armistice Day attitudes audience Battle battlefield beliefs bereaved Birdsong Blackadder Britain Britons casualties Clark Command commemoration conflict contemporary context continued criticisms dead death depiction Donkeys Douglas Haig emotional emphasised encouraged Essex Étaples example experience fact fighting film footage Forgotten Victory fought futility German Haig’s historians horror Ibid Imperial War Museum individual involvement killed LHCMA Liddell Hart London Lovely Lovely War meant memoirs memories military modern Monocled Mutineer mourning mythology myths novels officers Owen Oxford participation Passchendaele play poetry poets popular culture programme published reaction readers rehearsal remembered representation result reviewers Second World Second World War Sheffield social soldiers Somme story suggested television Testament of Youth tion Todman trench trench warfare veterans viewers war’s wartime Western Front Whilst Wilfred Owen women writing wrote Ypres