Creating States: Studies in the Performative Language of John Milton and William BlakeUniversity of Toronto Press, 15 դեկ, 1994 թ. - 245 էջ Although the concept of the performative has influenced literary theory in numerous ways, this book represents one of the first full-length studies of performative language in literary texts. Creating States examines the visionary poetry of John Milton and William Blake, using a critical approach based on principles of speech-act theory as articulated by J.L. Austin, John Searle, and Emile Benveniste. Angela Esterhammer proposes a new way of understanding the relationship between these two poets, while at the same time evaluating the role of speech-act philosophy in the reading of visionary poetry and Romantic literature. Esterhammer distinguishes between the 'sociopolitical performative,' the speech act which is defined by a societal context and derives power from institutional authority, and the `phenomenological performative,' language which is invested with the power to posit or create because of the individual will and consciousness of the speaker. Analysing texts such as The Reason of Church-Government, Paradise Lost, The Marriage of Heaven and Hell, and Jerusalem, Esterhammer traces the parallel evolution of Milton and Blake from writers of political and anti-prelatical tracts to poets who, having failed in their attempts to alter historical circumstances through a direct address to their contemporaries, reaffirm their faith in individual visionary consciousness and the creative word – while continuing to use the forms of a socially or politically performative language. |
From inside the book
Արդյունքներ 28–ի 1-ից 5-ը:
... final chapter brings together visions of divine creation and verbal performance from Blake's major epics, culminating in an analysis of the compromise between sociopolitical and phenomenological utterance in establishing the authority ...
... final chapter brings together visions of divine creation and verbal per- formance from Blake's major epics , culminating in an analysis of the com- promise between sociopolitical and phenomenological utterance in establishing the ...
... final chapter of this book . From the opening pages of Jane Austen's Sense and Sensibility , the determining factors in plot development and character motivation are marriage and inheritance , aspects of life in society which are ...
... final haunting fragment : This living hand , now warm and capable Of earnest grasping , would , if it were cold And in the icy silence of the tomb , So haunt thy days and chill thy dreaming nights That thou would wish thine own heart ...
... final class of declarations , which ' bring about some alteration in the status or condition of the referred to object or objects solely in virtue of the fact that the declaration has been successfully performed ' ( Expression and ...
Բովանդակություն
10 | |
16 | |
23 | |
31 | |
42 | |
48 | |
The J Myth | 54 |
3 | 65 |
5 | 119 |
Relations in the State of Innocence | 132 |
Relations in the State of Experience | 143 |
Naming in The Book of Urizen | 152 |
The Argument of The Marriage of Heaven and Hell | 158 |
A Song of Liberty | 167 |
Statements and States | 174 |
A Revision | 184 |
General and Special Inspiration | 70 |
Miltons Promise | 77 |
The Elision of the Performative | 85 |
The Performativity of Divine Speech | 99 |
Naming and Subjectivity | 110 |
A Division | 191 |
Creating States | 201 |
The Community of Phrases | 216 |
Index | 239 |