And birds sit brooding in the snow, And Marian's nose looks red and raw, Tu-whit, to-who, a merry note, Vhile greasy Joan doth keel the pot. Arm. The words of Mercury are harsh after the songs of Apoll. You, that way; we, this way. [Exeunt. (1) Wild apples. In this play, which all the editors have concurred to censure, and some have rejected as unworthy of our poet, it must be confessed that there are many passages mean, childish, and vulgar: and some which ought not to have been exhibited, as we are told they were, to a maiden queen. But there are scattered through the whole many sparks of genius; nor is there any play that has more evident marks of the band of Shakspeare. JOHNSON. PERSONS REPRESENTED Duke of Venice. Prince of Morocco, suitors to Portia. Antonio, the merchant of Venice. Bassanio, his friend. Salanio, Salarino, Gratiano, friends to Antonio and Bassanio, Lorenzo, in love with Tessica Shylock, a Jew. Tubal, a Jew, his friend. Launcelot Gobbo, a clown, servant to Shylock. Old Gobbo, father to Launcelot. Salerio, a messenger from Venice. Leonardo, servant to Bassanio. Portia, a rich heiress. Nerissa, her waiting-maid. Jessica, daughter to Shylock. Magnificoes of Venice, officers of the court of Justice, jailer, servants, and other attendants. Scene, partly at Venice, and partly at Belmont, the seat of Portia, on the continent. MERCHANT OF VENICE. ACT I. SCENE I-Venice. A street. Enter Antonic Salarino, and Salanio. Antonio. IN sooth, I know not why I am so sad, And such a want-wit sadness makes of me, Salar. Your mind is tossing on the ocean; That curt'sy to them, do them reverence, Salan. Believe me, sir, had I such venture forth, The better part of my affections would Salar. My wind, cooling my broth, (1) Ships of large burthen. |