An Inquiry Into the Beauties of Painting: And Into the Merits of the Most Celebrated Painters, Ancient and ModernR. and J. Dodsley, 1761 - 200 էջ |
From inside the book
Արդյունքներ 23–ի 1-ից 5-ը:
Էջ 14
... , that the venuftas of Apelles became proverbial ; as , among us , any action that is fingularly graceful , is termed Correggiefque . 5 growing growing knowledge of the rules of each art , we 14 DIAL . II , Our Capacity to judge.
... , that the venuftas of Apelles became proverbial ; as , among us , any action that is fingularly graceful , is termed Correggiefque . 5 growing growing knowledge of the rules of each art , we 14 DIAL . II , Our Capacity to judge.
Էջ 56
... Apelles [ p ] ; [ o ] Let us unite to these amiable expreffions , a becoming air of the head , flexure of the body , and an elegant difpofition of the limbs , we fhall then have a clear conception of that correggiefque Grace , which it ...
... Apelles [ p ] ; [ o ] Let us unite to these amiable expreffions , a becoming air of the head , flexure of the body , and an elegant difpofition of the limbs , we fhall then have a clear conception of that correggiefque Grace , which it ...
Էջ 66
... Apelles , in a Michael Angelo or Glycon . B. You have advanced , that the greatest excellence of defign was grace ; whence is it then , that Correggio , who , in this is in- imitable , is , by many , placed fo low in the clafs of ...
... Apelles , in a Michael Angelo or Glycon . B. You have advanced , that the greatest excellence of defign was grace ; whence is it then , that Correggio , who , in this is in- imitable , is , by many , placed fo low in the clafs of ...
Էջ 77
... Apelles , the most celebrated painters , were at the fame time , the most excellent colourists . If we examine the praises be- stowed on the laft of them , we shall find , that they turn chiefly on that truth and beauty , which are the ...
... Apelles , the most celebrated painters , were at the fame time , the most excellent colourists . If we examine the praises be- stowed on the laft of them , we shall find , that they turn chiefly on that truth and beauty , which are the ...
Էջ 78
... Apelles Veneris caput , et fumma pectoris politif- fima arte perfecit : Reliquam pratem corporis inchoa- tam reliquit . Lib . i . Ep . 9 . Nemo pictor eft inventus , qui Veneris eam partem , quam Apelles inchoatam reliquiffet ...
... Apelles Veneris caput , et fumma pectoris politif- fima arte perfecit : Reliquam pratem corporis inchoa- tam reliquit . Lib . i . Ep . 9 . Nemo pictor eft inventus , qui Veneris eam partem , quam Apelles inchoatam reliquiffet ...
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An Inquiry Into the Beauties of Painting: And Into the Merits ..., Թողարկում 2 Daniel Webb Ամբողջությամբ դիտվող - 1761 |
An Inquiry Into the Beauties of Painting: And Into the Merits ..., Թողարկում 2 Daniel Webb Ամբողջությամբ դիտվող - 1761 |
An Inquiry Into the Beauties of Painting: And Into the Merits ..., Թողարկում 2 Daniel Webb Ամբողջությամբ դիտվող - 1761 |
Common terms and phrases
Æneid Afpafia ancients Apelles artiſts beauty beſt cafe character circumftances Clear obfcure colours compariſon compofition confifts Correggio courſe Cymbeline defcribe defcription defign diftinction diſtinguiſh effect elegant Euphranor excellent expreffed expreffion fame fays fecond feelings feem fenfe fenfible fentiments fhades fhall fhould fimple firft firſt fome fpirit fpring ftudied fubject fublime fuch fuperior fuppofe genius give grace greateſt Greek happineſs harmony himſelf ideas imagination imitation impreffions inftance itſelf juft juſt laft laſt lefs loft mafter meaſure Medea merit moft moſt mufic muft muſt nature obferve objects occafion OVID paffage paffions painters painting perfect perfon Phidias picture pleafing pleaſe pleaſure Plin Pliny Plutarch Poet poetry praiſe Praxiteles prefent racter Raphael reaſon reft reprefent ſeem Shakeſpear ſhall taſte thefe themſelves theſe thofe thoſe thou thro Timanthes Timomachus tion Titian underſtand uſe verfe verſe whofe γαρ δε εν και μεν
Սիրված հատվածներ
Էջ 45 - In these two princely boys! They are as gentle As zephyrs, blowing below the violet, Not wagging his sweet head: and yet as rough, Their royal blood enchafd, as the rud'st wind, That by the top doth take the mountain pine, And make him stoop to the vale.
Էջ 41 - And hush'd with buzzing night-flies to thy slumber, Than in the perfum'd chambers of the great, Under the canopies of costly state, And lull'd with sounds of sweetest melody?
Էջ 110 - Hence, bashful cunning; And prompt me, plain and holy innocence ! I am your wife, if you will marry me ; If not, I'll die your maid : to be your fellow You may deny me ; but I'll be your servant Whether you will or no.
Էջ 15 - The infernal Serpent ! he it was, whose guile, Stirred up with envy and revenge, deceived The mother of mankind, what time his pride Had cast him out from Heaven...
Էջ 21 - Farewell, happy fields, Where joy forever dwells! Hail, horrors! hail, Infernal world! and thou, profoundest Hell, Receive thy new possessor: one who brings A mind not to be changed by place or time. The mind is its own place, and in itself Can make a Heaven of Hell, a Hell of Heaven.
Էջ 43 - The spirit-stirring drum, th' ear-piercing fife, The royal banner, and all quality, Pride, pomp, and circumstance of glorious' war ! And, O you mortal engines, whose rude throats Th' immortal Jove's dread clamours counterfeit, Farewell ! Othello's occupation's gone ! lago.
Էջ 23 - Of heav'nly pow'rs were touch'd with human fate! But go! thy flight no longer I detain — Go! seek thy promis'd kingdom through the main!
Էջ 55 - The downy feather, on the cordage hung, Moves not; the flat sea shines like yellow gold, Fus'd in the fire ; or like the marble floor 'Of some old temple wide.
Էջ 77 - You may shape, Amintor, Causes to cozen the whole world withal, And yourself too ; but 'tis not like a friend To hide your soul from me-. 'Tis not your nature To be thus idle : I have seen you stand As you were blasted 'midst of all your mirth ; Call thrice aloud, and then start, feigning joy So coldly ! — World, what do I here ? a friend Is nothing.
Էջ 123 - In thefe principles, and in the examples by which they have been fupported, we fee clearly the reafon why every enlightened age has had, and muft continue to have, its original Writers. We have no right, therefore, to complain that nature is always the fame, or that the fources of novelty have been exhaufted. It is in Poetry as in Philofophy, new relations are ftruck out, new influences difcovered, and every fuperior genius moves in a world of his own.