Shakespeare and His CriticsAMS Press, 1974 - 386 էջ |
From inside the book
Արդյունքներ 58–ի 1-ից 3-ը:
Էջ 81
... sometimes omitted and sometimes displaced in the ori- ginal . He did something , too , towards distinguishing ' asides , ' but very little towards emending difficult pas- sages , except when the error is manifestly typographi- cal . His ...
... sometimes omitted and sometimes displaced in the ori- ginal . He did something , too , towards distinguishing ' asides , ' but very little towards emending difficult pas- sages , except when the error is manifestly typographi- cal . His ...
Էջ 87
... sometimes omitted and sometimes displaced in the ori- ginal . He did something , too , towards distinguishing ' asides , ' but very little towards emending difficult pas- sages , except when the error is manifestly typographi- cal . His ...
... sometimes omitted and sometimes displaced in the ori- ginal . He did something , too , towards distinguishing ' asides , ' but very little towards emending difficult pas- sages , except when the error is manifestly typographi- cal . His ...
Էջ 308
... sometimes allows his characters to spend time , that might be better employed , in carving some cherry - stone of a quibble ; that he is sometimes tempted away from the natural by the quaint ; that he some- times forces a partial , even ...
... sometimes allows his characters to spend time , that might be better employed , in carving some cherry - stone of a quibble ; that he is sometimes tempted away from the natural by the quaint ; that he some- times forces a partial , even ...
Բովանդակություն
THE DEPARTMENTS OF SHAKESPEAREAN CRITI | 1 |
CRITICISM OF SHAKESPEARE BY HIS CONTEMPO | 23 |
FROM THE RESTORATION TO 1710 | 47 |
Հեղինակային իրավունք | |
7 այլ բաժինները չեն ցուցադրվում
Այլ խմբագրություններ - View all
Common terms and phrases
action actor admirable æsthetic artist audience beauty Ben Jonson Bradley called character Coleridge comedy construction Cymbeline dramatic dramatist edition editors eighteenth century Elizabethan emendations English evident fact Falstaff feel folio force French genius German ghost give Hamlet Hazlitt hero historical human nature Iago idea imagination interest Johnson King language Lear learned lines literary literature Love's Labour's Lost Macbeth Malone means Merchant of Venice Midsummer Night's Dream mind modern moral never Ophelia original Othello passages passion person playwright plot poet poetic poetry Pope Professor qualities quartos question regard Richard Grant White Richard III romantic romanticist Rosalind Rowe's rules says scene Schlegel seems sense Shake Shakespeare Shakespeare's plays Shakespearean criticism sometimes soul speare speare's spirit stage Steevens story Theobald things thought tion tragedy true Twelfth Night unity verse Warburton William Shakespeare Winter's Tale words writing written