Shakespeare Reproduced: The Text in History and IdeologyJean Elizabeth Howard, Marion F. O'Connor Psychology Press, 2005 - 292 էջ First published in 1987. The essays in Shakespeare Reproduced offer a political critique of Shakespeare's writings and the uses to which those writings are put Some of the essays focus on Shakespeare in his own time and consider how his plays can be seen to reproduce or subvert the cultural orthodoxies and the power relations of the late Renaissance. Others examine the forces which have produced an overtly political criticism of Shakespeare and of his use in culture. Contributors include: Jean E Howard and Marion O'Connor, Walter Cohen, Don E Wayne, Thomas Cartelli, Peter Erickson, Karen Newman, Thomas Moisan, Michael D Bristol, Thomas Sorge, Jonathan Goldberg, Robert Weimann, Margaret Ferguson. |
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Introduction | 1 |
WALTER COHEN | 18 |
recent criticism | 47 |
Shakespeares England | 68 |
The Tempest as colonialist text and pretext | 99 |
The Order of the Garter the cult of Elizabeth and classgender | 116 |
femininity and the monstrous | 143 |
Renaissance antitheatricality and the politics of gender and rank | 163 |
subversion | 188 |
legitimation crisis in Coriolanus | 207 |
The failure of orthodoxy in Coriolanus | 225 |
Macbeth and source | 242 |
mimesis representation | 265 |
Afterword | 273 |
285 | |
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African Alan eds American antitheatrical argues aristocratic audience authority body British Caliban colonialist Coppélia Coriolanus Cornell University Cornell University Press criticism of Shakespeare critique Cultural Materialism Desdemona discourse Dollimore dominant Don Pedro drama Duncan Earl's Court educational Edwin Lutyens Elizabeth Elizabethan English Essays in Cultural exhibition Falstaff feminism feminist feminist criticism Garter gender Greenblatt historicism historicist Hopkins University Press ideology institution Ithaca Jonathan and Sinfield King King Lear literary Literature London Lutyens Lutyens's Macbeth male Marxist masque Masque of Queens Menenius Merchant of Venice Merry Wives Methuen Ngugi Othello play's political criticism Political Shakespeare position production Prospero Queen question radical reading Renaissance repr representation represented reproduction rhetoric role sexual Shakespeare's England Shakespeare's plays Shakespearean text Shylock social order society specific stage structure subversive Tempest theater theory tion tradition trans usurer usury Weimann William Shakespeare Wives of Windsor women York