A thousand proas darted o'er the bay, With sounding shells, and heralded their way; And from that hour a new tradition gave The Prophecy of Dante. 1821. "Tis the sunset of life gives me mystical lore, DEDICATION. LADY! if for the cold and cloudy clime, I dare to build the imitative rhyme, THOU art the cause; and howsoever I Such sounds are utter'd and such charms So sweet a language from so fair a mouth— PREFACE. dis IN the course of a visit to the city of Ravenna in the summer of 1819, it was suggested to the author that, having composed something on the subject of Tasso's confinement, he should do the same on Dante's exile,-the tomb of the poet forming one of the principal objects of interest in that city, both to the native and to the stranger. Dante, which I am not aware to have seen hitherto tried in our language, except it may be by Mr. Hayley, of whose translation I never saw but one extract, quoted in the notes to Caliph Vathek; so that-if Í do not err-this poem may be considered as a metrical experiment. The cantos are short, and about the same length of those of the poet, whose name I have borrowed, and most probably taken in vain. Amongst the inconveniences of authors in the present day, it is difficult for any who have a name, good or bad, to escape translation. I have had the fortune to see the fourth canto of "Childe Harold " translated into Italian versi sciolti,-that is, a poem written in the Spenserean stanza into blank verse, without regard to the natural divisions of the stanza or of the sense. If the present poem, being on a national topic, should chance to undergo the same fate, I would request the Italian reader to remember that when I have failed in the imitation of his great "Padre Alighier," I have failed in imitating that which all study and few understand, since to this very day it is not yet settled what was the meaning of the allegory in the first canto of the Inferno, unless Count Marchetti's ingenious and probable conjecture may be considered as having decided the question. He may also pardon my failure the more, as I am not quite sure that he would be pleased with my success, since the Italians, with a pardonable na"On this hint I spake," and the result has been tionality, are particularly jealous of all that is left the following four cantos, in terza rima, now offered them as a nation, their literature; and in the preto the reader. If they are understood and approved, sent bitterness of the classic and romantic war, are it is my purpose to continue the poem, in various but ill-disposed to permit a foreigner even to other cantos, to its natural conclusion in the present approve or imitate them, without finding some fault age. The reader is requested to suppose that Dante with his ultramontane presumption. I can easily addresses him in the interval between the conclu- enter into all this, knowing what would be thought sion of the Divina Commedia and his death, and in England of an Italian imitator of Milton, or if a shortly before the latter event, foretelling the for- translation of Monti, or Pindemonte, or Arici, should tunes of Italy in general, in the ensuing centuries. be held up to the rising generation as a model for In adopting this plan I have had in my mind the their future poetical essays. But I perceive that I Cassandra of Lycophron, and the Prophecy of Ne-am deviating into an address to the Italian reader, reus by Horace, as well as the Prophecies of Holy Writ. The measure adopted is the terza rima of when my business is with the English one; and be they few of many, I must take my leave of both. The Prophecy of Dante. CANTO THE FIRST. ONCE more in man's frail world! which I had left My earthly sorrows, and to God's own skies Mysterious, three, sole, infinite, great God! Soul universal! led the mortal guest, Unblasted by the glory though he trod From star to star to reach the almighty throne. Oh Beatrice! whose sweet limbs the sod So long hath press'd, and the cold marble stone, Thou sole pure seraph of my earliest love, Love so ineffable, and so alone, That nought on earth could more my bosom move, And meeting thee in heaven was but to meet That without which my soul, like the arkless dove, Had wander'd still in search of, nor her feet Relieved her wing till found: without thy light My paradise had still been incomplete.2 Since my tenth sun gave summer to my sight Thou wert my life, the essence of my thought, Loved ere I knew the name of love, and bright Still in these dim old eyes, now overwrought With the world's war, and years, and banishment, And tears for thee, by other woes untaught; For mine is not a nature to be bent By tyrannous faction, and the brawling crowd; And though the long, long conflict hath been spent In vain, and never more, save when the cloud' Which overhangs the Apennine my mind's eye Pierces to fancy Florence, once so proud Of me, can I return, though but to die, Unto my native soil, they have not yet Quench'd the old exile's spirit, stern and high. But the sun, though not overcast, must set, And the night cometh; I am old in days, Man wrongs, and time avenges, and my name (1) The reader is requested to adopt the Italian pronunciation of Beatrice, sounding all the syllables. (2) "Che sol per le belle opre Che fanno in Cielo il sole e l' altre stelle Dentro di lui, si crede il Paradiso, Cosi se guardi fiso Pensar ben déi ch' ogni terren' piacere." Canzone, in which Dante describes the person of Beatrice, Strophe third. And make men's fickle breath the wind that blows I would have had my Florence great and free ;3 My voice; but as the adder, deaf and fierce, Against the breast that cherish'd thee was stirr'd Thy venom, and my state thou didst amerce, And doom this body forfeit to the fire. Alas! how bitter is his country's curse To him who, for that country would expire, But did not merit to expire by her, And loves her, loves her even in her ire! The day may come when she will cease to err, The day may come she would be proud to have The dust she dooms to scatter, and transfer Of him, whom she denied a home, the grave. But this shall not be granted; let my dust Lie where it falls; nor shall the soil which gave Me breath, but in her sudden fury thrust Me forth to breathe elsewhere, so reassume My indignant bones, because her angry gust Forsooth is over, and repeal'd her doom; No, she denied me what was mine-my roof, And shall not have what is not hers-my tomb. Too long her armed wrath hath kept aloof The breast which would have bled for her, the heart That beat, the mind that was temptation proof, The man who fought, toil'd, travell'd, and each part Of a true citizen fulfill'd, and saw For his reward the Guelf's ascendant art Pass his destruction even into a law. These things are not made for forgetfulness Florence shall be forgotten first; too raw The wound, too deep the wrong, and the distress Of such endurance too prolong'd to make My pardon greater, her injustice less, Though late repented; yet-yet for her sake I feel some fonder yearnings, and for thine, My own Beatrice, I would hardly take Vengeance upon the land which once was mine, And still is hallow'd by thy dust's return, Which would protect the murderess like a shrine, And save ten thousand foes by thy sole urn. Though, like old Marius from Minturnæ's marsh And Carthage ruins, my lone breast may burn At times with evil feelings hot and harsh, And sometimes the last pangs of a vile foe Writhe in a dream before me, and o'erarch My brow with hopes of triumph,-let them go ! Such are the last infirmities of those Who long have suffer'd more than mortal woe, And yet being mortal still have no repose But on the pillow of Revenge-Revenge, Take these thoughts from me-to thy hands I yield For Florence,-I appeal from her to Thee! The sense of earth and earthly things come back, To lift my eyes more to the passing sail I am not of this people, nor this age, Worthless as they who wrought it: 'tis the doom The name of him-who now is but a name, To live in narrow ways with little men, Without the power that makes them bear a crown To envy every dove his nest and wings Where yet my boys are, and that fatal she,1 Their mother, the cold partner who hath brought And feel, and know without repair, hath taught The Prophecy of Dante. CANTO THE SECOND. THE Spirit of the fervent days of Old, Flash'd o'er the future, bidding men behold What the great Seers of Israel wore within, Of conflict none will hear, or hearing heed My soul within thy language, which once set As lofty and more sweet, in which express'd The hero's ardour, or the lover's sighs, Shall find alike such sounds for every theme That every word, as brilliant as thy skies, Shall realise a poet's proudest dream, And make thee Europe's nightingale of song; So that all present speech to thine shall seem The note of meaner birds, and every tongue Confess its barbarism when compared with thine. The unborn earthquake yet is in the womb, "Let there be darkness!" and thou grow'st a (1) His wife, Gemma Donati, sprung from one of the most Yes! thou, so beautiful, shalt feel the sword, powerful of the Guelph families. Thou, Italy! so fair that Paradise, Revived in thee, blooms forth to man restored: Ah! must the sons of Adam lose it twice ? Thou, Italy! whose ever golden fields, Plough'd by the sunbeams solely, would suffice For the world's granary; thou, whose sky heaven gilds With brighter stars, and robes with deeper blue; Thou, in whose pleasant places Summer builds Her palace, in whose cradle Empire grew, And form'd the Eternal City's ornaments From spoils of kings whom freemen overthrew ; Birthplace of heroes, sanctuary of saints, Where earthly first, then heavenly glory made Her home; thou, all which fondest fancy paints, And finds her prior vision but portray'd In feeble colours, when the eye-from the Alp Of horrid snow, and rock, and shaggy shade Of desert-loving pine, whose emerald scalp Nods to the storm-dilates and dotes o'er thee, And wistfully implores, as 'twere for help To see thy sunny fields, my Italy, Nearer and nearer yet, and dearer still The more approach'd, and dearest were they free, Thou-thou must wither to each tyrant's will: The Goth hath been-the German, Frank, and Hun Are yet to come,-and on the imperial hill Ruin, already proud of the deeds done By the old barbarians, there awaits the new, Throned on the Palatine, while lost and won Rome at her feet lies bleeding; and the hue Of human sacrifice and Roman slaughter Troubles the clotted air, of late so blue, And deepens into red the saffron water : Of Tiber, thick with dead; the helpless priest, Nine moons shall rise o'er scenes like this and set;1 Had but the royal Rebel lived, perchance Oh! when the strangers pass the Alps and Po, Crush them, ye rocks! floods whelm them, and for ever! Why sleep the idle avalanches so, To topple on the lonely pilgrim's head? Why doth Eridanus but overflow The peasant's harvest from his turbid bed? Were not each barbarous horde a fobler prey? Over Cambyses' host the desert spread Her sandy ocean, and the sea-waves' sway (1) Fee "Sacco di Roma," generally attributed to Guicciar dini. There is another written by a Jacopo Buonaparte. Roll'd over Pharaoh and his thousands,-why, Mountains and waters, do ye not as they? And you, ye men! Romans who dare not die, Sons of the conquerors who overthrew Those who o'erthrew proud Xerxes, where yet lie The dead whose tomb Oblivion never knew, Are the Alps weaker than Thermopyla ? Their passes more alluring to the view Of an invader? is it they, or ye, That to each host the mountain-gate unbar, And leave the march in peace, the passage free? Why, Nature's self detains the victor's car, And makes your land impregnable, if earth Could be so; but alone she will not war, Yet aids the warrior worthy of his birth In a soil where the mothers bring forth men Not so with those whose souls are little worth; For them no fortress can avail,-the den Of the poor reptile which preserves its sting Is more secure than walls of adamant, when The hearts of those within are quivering. Are ye not brave? Yes, yet the Ausonian soil Hath hearts, and hands, and arms, and hosts to bring Against Oppression; but how vain the toil, thee, And join their strength to that which with thee copes; What is there wanting then to set thee free, And show thy beauty in its fullest light? To make the Alps impassable; and we, Her sons, may do this with one deed-Unite. The Prophecy of Dante. CANTO THE THIRD. FROM out the mass of never-dying ill, The Plague, the Prince, the Stranger, and the Sword, Vials of wrath but emptied to refill And flow again, I cannot all record That crowds on my prophetic eye: the earth And ocean written o'er would not afford Space for the annal, yet it shall go forth; Yes, all, though not by human pen, is graven, There where the farthest suns and stars have birth, Spread like a banner at the gate of heaven, The bloody scroll of our millennial wrongs Will not in vain arise to where belongs Omnipotence, and mercy evermore: Like to a harp-string stricken by the wind The sound of her lament shall, rising o'er The seraph voices, touch the Almighty Mind. Meantime I, humblest of thy sons, and of Earth's dust by immortality refined To sense and suffering, though the vain may scoff, I loved and love, devote the mournful lyre Is not as once it shone o'er thee, forgive! And for my guerdon grants not to survive; And many meteors, and above thy tomb Leans sculptured Beauty, which Death cannot blight: And from thine ashes boundless spirits rise To give thee honour, and the earth delight; Thy soil shall still be pregnant with the wise, The gay, the learn'd, the generous, and the brave, Native to thee as summer to thy skies, Conquerors on foreign shores, and the far wave,1 Discoverers of new worlds, which take their name;2 For thee alone they have no arm to save, And all thy recompense is in their fame, A noble one to then, but not to theeShall they be glorious, and thou still the same? Oh! more than these illustrious far shall be The being-and even yet he may be bornThe mortal saviour who shall set thee free, And see thy diadem, so changed and worn By fresh barbarians, on thy brow replaced; And the sweet sun replenishing thy morn, Thy moral morn, too long with clouds defaced, And noxious vapours from Avernus risen, Such as all they must breathe who are debased By servitude, and have the mind in prison. Yet through this centuried eclipse of woe Some voices shall be heard, and earth shall listen; Poets shall follow in the path I show, And make it broader; the same brilliant sky Which cheers the birds to song shall bid them glow, And raise their notes as natural and high; Tuneful shall be their numbers; they shall sing Many of love, and some of liberty, But few shall soar upon that eagle's wing, And look in the sun's face with eagle's gaze, All free and fearless as the feather'd king, But fly more near the earth; how many a phrase Sublime shall lavish'd be on some sniall prince (1) Alexander of Parma, Spinola, Pescara, Eugene of Savoy, Montecucco. (2) Columbus, Americus Vespucius, Sebastian Cabot. (3) A verse from the Greek tragedians, with which Pompey In all the prodigality of praise! And language, eloquently false, evince The harlotry of genius, which, like beauty, Too oft forgets its own self-reverence, And looks on prostitution as a duty. He who once enters in a tyrant's hall s 4 As guest is slave, his thoughts become a booty And the first day which sees the chain enthral A captive, sees his half of manhood gone The soul's emasculation saddens all His spirit; thus the Bard too near the throne Quails from his inspiration, bound to please,How servile is the task to please alone! To smooth the verse to suit his sovereign's ease And royal leisure, nor too much prolong Aught save his eulogy, and find, and seize, Or force, or forge, fit argument of song! Thus trammell'd, thus condemn'd to Flattery's But out of the long file of sonneteers There shall be some who will not sing in vain, And he, their prince, shall rank among my peers,5 And love shall be his torment; but his grief Shall make an immortality of tears, And Italy shall hail him as the Chief Of Poet-lovers, and his higher song Of Freedom wreathe him with as green a leaf. The banks of Po two greater still than he; wrong Till they are ashes, and repose with me. Like that of Heaven, immortal, and his thought Borne onward with a wing that cannot tire; Pleasure shall, like a butterfly new caught, Flutter her lovely pinions o'er his theme, And Art itself seem into Nature wrought By the transparency of his bright dream.The second, of a tenderer, sadder mood, Shall pour his soul out o'er Jerusalem ; He, too, shall sing of arms, and Christian blood Shed where Christ bled for man: and his high harp Shall, by the willow over Jordan's flood, Revive a song of Sion, and the sharp Conflict, and final triumph of the brave And pious, and the strife of hell to warp Their hearts from their great purpose, until wave The red-cross banners where the first red Cross Was crimson'd from his veins who died to save, Shall be his sacred argument; the loss Of years, of favour, freedom, even of fame Contested for a time, while the smooth gloss Of courts would slide o'er his forgotten name, And call captivity a kindness, meant took leave of Cornelia on entering the boat in which he was |