three, intending to live by the exercise of his talents; but his indecision was then as apparent as at any subsequent period, so that, in truth, the effect preceded the cause to which it has been assigned.

Mankind are becoming too much accustomed to witness splendid talents and great firmness of mind united in the same person to partake the mistaken sympathy which so many writers evince for the follies or vices of genius; nor will it much longer tolerate the opinion, that the possession of the finest imagination, or the highest poetic capacity, must necessarily be accompanied by eccentricity. It may, indeed, be difficult to convert a poetical temperament into a merchant, or to make the man who is destined to delight or astonish mankind by his conceptions, sit quietly over a ledger; but the transition from poetry to the composition of such works as Collins planned is by no means unnatural, and the abandonment of his views respecting them must, in justice to his memory, be attributed to a different cause.

The most probable reason is, that these works were mere speculations to raise money, and that the idea was not encouraged by the booksellers; but if, as Johnson, who knew Collins well, asserts, his character wanted decision and perseverance, these defects may have been constitutional, and were, perhaps, the germs of the disease which too soon ripened into the most frightful of human

calamities. Endued with a morbid sensibility, which was as ill calculated to court popularity as to bear neglect; and wanting that stoical indifference to the opinions of the many, which ought to render those who are conscious of the value of their productions satisfied with the approbation of the few; Collins was too impatient of applause, and too anxious to attain perfection to be a voluminous writer. To plan much rather than to execute any thing; to commence to-day an ode, tomorrow a tragedy, and to turn on the following morning to a different subject, was the chief occupation of his life for several years, during which time he destroyed the principal part of the little that he wrote. To a man nearly pennyless, such a life must be attended by privations and danger; and he was in the hands of bailiffs, possibly not for the first time, very shortly before he became independent by the death of his maternal uncle, Colonel Martin. The result proved that his want of firmness and perseverance was natural, and did not arise from the uncertainty or narrowness of his fortune; for being rescued from imprisonment, on the credit of a translation of Aristotle's Poetics, which he engaged to furnish a publisher, a work, it may be presumed, peculiarly suited to his genius, he no sooner found himself in the possession of money by the death of his relative, than he repaid the bookseller, and abandoned the translation for ever.

From the commencement of his career, Collins was, however, an object for sympathy instead of censure; and though few refuse their compassion to the confirmed lunatic, it is rare that the dreadful state of irresolution and misery, which sometimes exist for years before the fatal catastrophe, receives either pity or indulgence.

In 1747, Collins published his Odes, to the unrivaled splendour of a few of which he is alone indebted for his fame; but neither fame nor profit was the immediate result; and the author of the Ode on the Passions had little reason to expect, from its reception by the public, that it was destined to live as long as the passions themselves animate or distract the world.

It is uncertain at what time he undertook to publish a volume of Odes in conjunction with Joseph Warton, but the intention is placed beyond dispute by the following letter, from Warton to his brother. It is without a date, but it must have been written before the publication of Collins's Odes in 1747, and before the appearance of Dodsley's Museum, as it is evident the Ode to a Lady on the Death of Colonel Ross, which was inserted in that work, was not then in print.

"DEAR TOM,

"You will wonder to see my name in an advertisement next week, so I thought I would apprise you of it. The case was this. Collins met me in Surrey, at Guildford races, when I wrote out for him my odes, and he likewise communicated some of his to me; and being both in very high spirits, we took courage, resolved to join our forces, and to publish them immediately. I flatter myself that I shall lose no honour by this publication, because I believe these odes, as they now stand, are infinitely the best things I ever wrote. You will see a very pretty one of Collins's, on the Death of Colonel Ross before Tournay. It is addressed to a lady who was Ross's intimate acquaintance, and who, by the way, is Miss Bett Goddard. Collins is not to publish the odes unless he gets ten guineas for them. returned from Milford last night, where I left Collins with my mother and sister, and he sets out to-day for London. I must now tell you, that I have sent him your imitation of Horace's Blandusian Fountain, to be printed amongst ours, and which you shall own or not, as you think proper. I would not have done this without your consent, but because I think it very poetically and correctly done, and will get you honour.

critics say.

I

You will let me know what the Oxford

Adieu, dear Tom,

"I am your most affectionate brother,

"J.WARTON."

Like so many of Collins's projects this was not executed; but the reason of its failure is unknown.

On the death of Thomson, in August, 1748, Collins wrote an ode to his memory, which is no less remarkable for its beauty as a composition, than for its pathetic tenderness as a memorial of a friend.

The Poet's pecuniary difficulties were removed in 1749, by the death of his maternal uncle, Lieutenant-Colonel Edmund Martin, who, after bequeathing legacies to some other relations, ordered the residue of his real and personal estate to be divided between his nephew William Collins, and his nieces Elizabeth and Anne Collins, and appointed the said Elizabeth his executrix, who proved her uncle's will on the 30th of May, 1749. Collins's share was, it is said, about two thousand pounds; and, as has been already observed, the money came most opportunely: a greater calamity even than poverty, however, shortly afterwards, counterbalanced his good fortune; but the assertion of the writer in the Gentleman's Magazine, that his mental aberration arose from his having squandered this legacy, appears to be unfounded.

One, and but one, letter of Collins's has ever been printed; nor has a careful inquiry after others been successful. It is of peculiar interest, as it proves that he wrote an Ode on the Music of the Grecian Theatre, but which is unfortu