Shakespeare in China: A Comparative Study of Two Traditions and CulturesUniversity of Delaware Press, 1996 - 279 էջ Shakespeare in China is an attempt to explore systematically and deeply the nature and significance of the interaction between Shakespeare and traditional Chinese drama and between the dramatist and Chinese culture. Ever since Shakespeare was introduced into China at the beginning of this century, his works have exerted a pervasive influence upon Chinese theater and culture. During this process of transplantation into Chinese culture, the dramatist's works have also undergone some transformation, with the plays interpreted and reshaped by the Chinese from the perspective of their own culture and tradition. |
From inside the book
Արդյունքներ 25–ի 1-ից 3-ը:
Էջ 60
... comic criticism , satire has been regarded as an indispensable part of the comic concept . European comedy features a satiric tradition beginning with Aristophanes and continuing through Jonson and Molière to Bernard Shaw . The satiric ...
... comic criticism , satire has been regarded as an indispensable part of the comic concept . European comedy features a satiric tradition beginning with Aristophanes and continuing through Jonson and Molière to Bernard Shaw . The satiric ...
Էջ 64
... comic scenes seem to serve as interludes or bur- lesques , but they actually closely contribute to the central theme of the play . In Hamlet the churchyard scene is not a simple comic interlude . Rather it deals with the eternal truths ...
... comic scenes seem to serve as interludes or bur- lesques , but they actually closely contribute to the central theme of the play . In Hamlet the churchyard scene is not a simple comic interlude . Rather it deals with the eternal truths ...
Էջ 65
... comic scenes , while appearing to be comic interludes or burlesque , try to produce amus- ing and funny effects . In the comedies , sad scenes are used to move the audience and to evoke sympathetic feelings . The comic elements in ...
... comic scenes , while appearing to be comic interludes or burlesque , try to produce amus- ing and funny effects . In the comedies , sad scenes are used to move the audience and to evoke sympathetic feelings . The comic elements in ...
Բովանդակություն
Editorial Note | 9 |
The Culturally Produced | 21 |
General Artistic Characteristics and the Related Cultural | 62 |
Հեղինակային իրավունք | |
8 այլ բաժինները չեն ցուցադրվում
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acting actors adapted affected ancient appear artistic associated audience beauty become Beijing caused Central chapter characters China Chinese comedies Chinese culture classical Chinese comedies comic completely concept Confucian contemporary contrast conventional create critics director discussed dramatists emotion English example famous feelings Festival Hamlet happy hero human ideas images important influence instance Institute interest King literary literature major Marxism means modern Chinese moral movements nature nese Night opera Othello particularly pattern performance period playwright plot poetic poetry pointed political presented Press principles production qualities represent says scene scholars served Shake Shakespeare Shakespeare's plays Shanghai Shaoxing similar social society stage Story strong Studies style techniques theater theatrical theme tion traditional Chinese drama traditional Chinese tragedy tragic translation Troupe types understand University Western women writers young Yuan Zhang