Eugene O'Neill: A Playwright's TheatreMcFarland, Incorporated, Publishers, 28 հնվ, 2004 թ. - 268 էջ Eugene O'Neill wrote his plays for a theatre in which the playwright would take a central position. He presented himself as a controlling personality both in the texts--in the form of ample stage directions--and in performances based on these texts. His plays address several audiences--reader, spectator, and production team--and scripts were often different from the published versions. This study examines O'Neill's multiple roles as a writer for many audiences. After a description of O'Neill's working conditions and the multiple audiences of the plays, this study examines the various formal aspects of the plays: titles, settings in time and place, names and addresses, language, and connections and allusions to other works. An examination of the plays follows, with particular emphasis on Bound East for Cardiff, Long Day's Journey Into Night, and A Touch of the Poet. |
From inside the book
Արդյունքներ 37–ի 1-ից 3-ը:
... nature , in the life of the yearly cycle . In the early scenes of All God's Chillun Got Wings the black people's natural lust for life , har- monizing with the season , spring , contrasts with the white people's mask of civilization ...
... nature . The mating season has come , the animals seek one another . Ephraim is alone . He feels “ damned , ” excluded from what is natural , from nature . But Ephraim is not only a farmer ; he is also a Puritan . As such he feels ...
... nature would be stressed by the very fact that the speech seems spontaneous . Bergman's approach emphasized another aspect . By having Edmund read bits of his monologue aloud from his notebook , the director made the poetical nature of ...
Բովանդակություն
Preface | 1 |
Nietzsche | 39 |
Ibsen | 55 |
Հեղինակային իրավունք | |
15 այլ բաժինները չեն ցուցադրվում