Repository of Arts, Literature, Fashions &cR. Ackermann ... Sherwood & Company and Walker & Company ... and Simpkin & Marshall, 1820 |
From inside the book
Արդյունքներ 63–ի 1-ից 5-ը:
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... early Years ( from " Sketch of the Character and Writings of Ma- dame DE STAEL , " by Madame NECKER DE SAUSSURE INTELLIGENCE , LITERARY AND SCIENTIFIC 50 • 51 52 53 55 58 83 3 58 ib . 62 rest of his life to literary and agri- cultural ...
... early Years ( from " Sketch of the Character and Writings of Ma- dame DE STAEL , " by Madame NECKER DE SAUSSURE INTELLIGENCE , LITERARY AND SCIENTIFIC 50 • 51 52 53 55 58 83 3 58 ib . 62 rest of his life to literary and agri- cultural ...
Էջ 12
... early as possible he would pay him a visit . The latter took his leave , and returned home dancing for joy . " What has happened , " inquired his fa- ther - in - law , " that you seem in such spirits ? " - " I have found out M. de ...
... early as possible he would pay him a visit . The latter took his leave , and returned home dancing for joy . " What has happened , " inquired his fa- ther - in - law , " that you seem in such spirits ? " - " I have found out M. de ...
Էջ 36
... early Num- that time been so ingeniously car- ried into effect ; I am induced to hope , that this hint may also , at some future time , be the cause of SIR , ON reading your letter , mentioning the origin of St. Va- lentine's day , in ...
... early Num- that time been so ingeniously car- ried into effect ; I am induced to hope , that this hint may also , at some future time , be the cause of SIR , ON reading your letter , mentioning the origin of St. Va- lentine's day , in ...
Էջ 45
... early portraits with a flat and dead outline of features , though with now and then some streaming touches of glowing colour ; and then the more ornamental style , as we see it deve- loped in the works that have come to light during the ...
... early portraits with a flat and dead outline of features , though with now and then some streaming touches of glowing colour ; and then the more ornamental style , as we see it deve- loped in the works that have come to light during the ...
Էջ 46
... early The following are the names of the principal artists : John de Mabuse , Holbein , Remée , Zucchero , More , Pourbus , Jansen , Lucas de Heere , Rubens , Vandyke , Dobson , Hont- horst , Zoust , Hanneman , Walker , Wissing , Murray ...
... early The following are the names of the principal artists : John de Mabuse , Holbein , Remée , Zucchero , More , Pourbus , Jansen , Lucas de Heere , Rubens , Vandyke , Dobson , Hont- horst , Zoust , Hanneman , Walker , Wissing , Murray ...
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Էջ 121 - I loved Ophelia: forty thousand brothers Could not with all their quantity of love, Make up my sum.
Էջ 174 - Others apart sat on a hill retired, In thoughts more elevate, and reasoned high Of providence, foreknowledge, will, and fate; Fix'd fate, free will, foreknowledge absolute: And found no end, in wandering mazes lost.
Էջ 121 - ... called in question, we think, by those who did not understand it. It is more interesting than according to rules: amiable, though not faultless. The ethical delineations of "that noble and liberal casuist" (as Shakespeare has been well called) do not exhibit the drab-coloured quakerism of morality.
Էջ 175 - Meantime the matter and diction seemed to me characterized not so much by poetic thoughts, as by thoughts translated into the language of poetry.
Էջ 172 - In our own English compositions (at least for the last three years of our school education) he showed no mercy to phrase, metaphor, or image, unsupported by a sound sense, or where the same sense might have been conveyed with equal force and dignity in plainer words.
Էջ 121 - Ophelia is quite natural in his circumstances. It is that of assumed severity only. It is the effect of disappointed hope, of bitter regrets, of affection suspended, not obliterated, by the distractions of the scene around him ! Amidst the natural and preternatural horrors of his situation, he might be excused in delicacy from carrying on a regular courtship. When ' his father's spirit was in arms,' it was not a time for the son to make love in. He could neither marry Ophelia, nor wound her mind...
Էջ 119 - Shakspeare's plays that we think of the oftenest, because it abounds most in striking reflections on human life, and because the distresses of Hamlet are transferred, by the turn of his mind, to the general account of humanity.
Էջ 120 - ... by the strangeness of his situation. He seems incapable of deliberate action, and is only hurried into extremities on the spur of the occasion, when he has no time to reflect, as in the scene where he kills Polonius, and again, where he alters the letters which Rosencrantz and Guildenstern are taking with them to England, purporting his death.
Էջ 174 - ... there was a long and blessed interval, during which my natural faculties were allowed to expand, and my original tendencies to develope themselves — my fancy, and the love of nature, and the sense of beauty in forms and sounds.
Էջ 119 - Hamlet is a name ; his speeches and sayings but the idle coinage of the poet's brain. What, then, are they not real? They are as real as our own thoughts ; their reality is in the reader's mind. It is we who are Hamlet. This play has a prophetic truth, which is above that of history. Whoever has become thoughtful and melancholy through his own mishaps or those of others ; whoever has borne about with him the clouded brow of reflection, and thought himself