The Shock of the NewKnopf, 1981 - 423 էջ A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
From inside the book
Արդյունքներ 41–ի 1-ից 3-ը:
Էջ 134
... Matisse inventing the Mediterranean . It is still amazing to find how deeply one's images and expectations of that now vanishing coast have been marked by Matisse's skies and awnings , his lion- coloured headlands and glimpses of pink ...
... Matisse inventing the Mediterranean . It is still amazing to find how deeply one's images and expectations of that now vanishing coast have been marked by Matisse's skies and awnings , his lion- coloured headlands and glimpses of pink ...
Էջ 135
... Matisse became friends with his closest follower , Paul Signac . Signac's paintings of Saint - Tropez bay were an important influence on Matisse's work . So , perhaps , was the painting that Signac regarded as his masterpiece and ...
... Matisse became friends with his closest follower , Paul Signac . Signac's paintings of Saint - Tropez bay were an important influence on Matisse's work . So , perhaps , was the painting that Signac regarded as his masterpiece and ...
Էջ 152
... Matisse wanted to fix “ a sort of hierarchy of all my sensations , " to possess and minutely articulate the nuances of feeling . There was nothing more decisive than the actual pro- cess of cutting , the shears sliding through the ...
... Matisse wanted to fix “ a sort of hierarchy of all my sensations , " to possess and minutely articulate the nuances of feeling . There was nothing more decisive than the actual pro- cess of cutting , the shears sliding through the ...
Common terms and phrases
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York