The Shock of the NewKnopf, 1981 - 423 էջ A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
From inside the book
Արդյունքներ 71–ի 1-ից 3-ը:
Էջ 21
... Picasso's Les Demoiselles d'Avignon , 1907 , with its African source material ( plates 4 , 5 ) , the differences are as striking as the similarities . What Picasso cared about was the formal vitality of African art , which was for him ...
... Picasso's Les Demoiselles d'Avignon , 1907 , with its African source material ( plates 4 , 5 ) , the differences are as striking as the similarities . What Picasso cared about was the formal vitality of African art , which was for him ...
Էջ 24
... Picasso turns viewer into voyeur ; the stares of the five girls are concentrated on whoever is looking at the painting . And by putting the viewer in the client's sofa , Picasso transmits , with overwhelming force , the sexual anxiety ...
... Picasso turns viewer into voyeur ; the stares of the five girls are concentrated on whoever is looking at the painting . And by putting the viewer in the client's sofa , Picasso transmits , with overwhelming force , the sexual anxiety ...
Էջ 151
... Picasso's work , is expressed with total candour . It was in fact the last major work of art , by Picasso or anyone else , to be directly inspired by Mediterranean antiquity : the end of an immense tradition that died amid the ...
... Picasso's work , is expressed with total candour . It was in fact the last major work of art , by Picasso or anyone else , to be directly inspired by Mediterranean antiquity : the end of an immense tradition that died amid the ...
Common terms and phrases
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York