The Shock of the NewKnopf, 1981 - 423 էջ A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
From inside the book
Արդյունքներ 38–ի 1-ից 3-ը:
Էջ 165
... ideal of social transformation through architecture and design was one of the driving forces of modernist culture . Rational design would make rational societies . “ It was one of those illusions of the 20s , " recalls Philip Johnson ...
... ideal of social transformation through architecture and design was one of the driving forces of modernist culture . Rational design would make rational societies . “ It was one of those illusions of the 20s , " recalls Philip Johnson ...
Էջ 184
... ideal form , the gridded glass block , that he refused to equip its main floor with any walls on which a picture could be hung . He could take infinite pains working out how to turn a corner with I - beams and cladding , and simply ...
... ideal form , the gridded glass block , that he refused to equip its main floor with any walls on which a picture could be hung . He could take infinite pains working out how to turn a corner with I - beams and cladding , and simply ...
Էջ 215
... ideal forms of neo - classicism , there ran a fascination with dreams : with mystery , melancholy , and fear . It was a world of phantoms , and all the more vivid for not being the conscious emanations of a culture like ours ; in 1820 ...
... ideal forms of neo - classicism , there ran a fascination with dreams : with mystery , melancholy , and fear . It was a world of phantoms , and all the more vivid for not being the conscious emanations of a culture like ours ; in 1820 ...
Common terms and phrases
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York